Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
Yaşar, a young man, has a hard time after his father's death. His inheritance from his father causes Yaşar to have problems with his stepmother. Meanwhile, Yaşar learns that her sister-in-law, Canan, who is living in the same house, is in love with her. While Yaşar is dealing with the inheritance issue and his sister-in-law, he realizes that there are some strange events at home. Yasar's mentally disordered daughter Efsun's dark past is unearthed, making things even more complicated. The pain of the family, who had to face the dark past of Efsun, is just the beginning for them.
亚当(马丁·巴赫 Martin Buch 饰)和妻子结婚多年,两人之间的感情早就已经被时间消磨的所剩无几。一天,亚当听闻了有一家换妻俱乐部,于是决定去探访一番,以找回往日的激情。在俱乐部里,亚当邂逅了名为派翠西亚(娜塔莉·玛杜诺 Natalie Madueño 饰)的美丽女子,被她迷得神魂颠倒。 派翠西亚和男友帕特里克(埃米尔·伯克·哈特曼 Emil Birk Hartmann 饰)一起来到俱乐部,两人为的就是寻求刺激。这一对俊男靓女自然受到俱乐部里其他成员的追捧,然而,帕翠西亚却发现,相比起女人,自己的男友似乎对男人更感兴趣。腰缠万贯的富豪杨恩(拉斯马斯·伯托夫特 Rasmus Botoft 饰)和太太也来到了俱乐部中,想不到这疯狂的举动却让他们找回了曾经的真心。
作家 Jasmijn 在造成致命事故后面临着严重的写作障碍。她只剩下写给受害者鳏夫维姆的无数未回信。贾斯敏意识到她不能继续这样的生活,并做出了一个相当激进的决定。她没有告诉任何人,就收拾好行李前往摩洛哥,维姆在那里经营一家酒店。当她的姐姐和她的出版商试图找出她在哪里时,贾斯敏和维姆在摩洛哥的阳光下建立了意想不到的友谊。只有贾斯敏还没有找到合适的时机告诉他她的真实身份。
洛伦佐(雅各波•奥尔莫•安蒂诺里 Jacopo Olmo Antinori 饰)是一个内心细腻而又敏感的14岁男孩,成长在一个不幸福的家庭之中的他非常讨厌社交,因此,当学校决定举行滑雪活动后,洛伦佐选择了躲进地下室,在一个星期的时间里,洛伦佐将享受没有任何人打扰他的幸福生活,他可以尽情的和自己喜欢的音乐、书籍、游戏呆在一起。 让洛伦佐没有想到的是,同父异母的姐姐奥莉薇娅(泰娅•法尔科 Tea Falco 饰)的出现彻底打破了他对于未来一个礼拜的甜蜜幻想。这个做事从来不按照常理出牌的女人就这么大大咧咧的闯入洛伦佐的私人空间之中,但是,这一次被迫的相处,也让洛伦佐对于他的姐姐,甚至是他的人生有了新的见解。
女子Anna和Alessio同居,当文员的她挺满足目前的生活,没有甚么大理想,当她认识已婚男子Domenico后,一股激情在她们的内心和城市沸腾着:当爱情变得偷偷摸摸时,城市的每个角落可以是天堂,也可以是地狱,突然之间,她们被诱惑去逃离目前的危险处境...
这部电影集滑雪各个方面于一身,为所有观众打造了一部精彩的电影。滑雪是一项美丽的运动,这部电影捕捉到了在深粉雪中滑雪或撕掉新鲜美容师的感觉。我会向我的滑雪伙伴推荐这部电影,但也推荐给对这项运动一无所知的人。滑雪可以让您以其他方式无法比拟的方式了解世界各地。 《追影》的剧情很棒,很能吸引观众的兴趣。这部电影中使用的音乐很棒。将电子音乐与西方音乐相结合,有一首适合各种心情的歌曲。我喜欢滑雪,这部电影是表达滑雪之美的绝佳方式。
Vera and André are a couple who get the chance to pitch their business at a prestigious competition. Before the competition, Vera tries hypnotherapy to quit smoking, with an unexpected side effect: she loses all social inhibitions. André has a hard time dealing with this. When it risks ruining his career, he’s torn between accepting her new personality and taking drastic measures to make her stop.
A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
富有的中年人M结束出差准备回国,在机场,他目睹了一位年轻的阿拉伯男子在安检时引发的纷争。在一场无关紧要的争吵后,M一路跟随着这位年轻人,并在飞行过程中警觉地观察着他的一举一动。年轻人很快注意到M的行为,挑衅地看着他,神秘低语“你什么也没错过!” 一系列令人不安的事件接踵而至。M变得疑神疑鬼,疑心他的生活里存在着一个更大的阴谋。他怀疑年轻人在跟踪他,甚至可能入侵了家里的安防系统,这一切让他安全感尽失。在浏览阴谋论网站时,他对自身危险的处境和脆弱的社会秩序变得深信不疑。 M的女朋友认为他的疑虑实在是大惊小怪,并意识到两人的关系已经走入虚无。一位同事和M有同样的顾虑,却更担心M自己的行为。M决定直面日益严峻的威胁。他坚信恶魔在夜晚现身。于是他设下陷阱,决心迎接他认为即将降临的危险。
At Christine's funeral, her foster son suddenly shows up, a grown-up man with whom the family has been out of contact for quite some time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.