号称世界上最危险的城市——巴西里约热内卢,警匪枪战时有发生。恶徒肆意横行,死亡如同家常便饭,甚至警匪沆瀣一气,危害城市。但就在这个混乱所在,却有一支刚正严明的部队横空出世。特别警察军事行动部队(Special Police Operation Battalion)凭借其果敢凶狠的办案作风而令匪徒闻风丧胆。 时1997年,教皇即将来此视察,高层要求纳斯西蒙(Wagner Moura 饰)所率领的这支精英部队在最短时间内肃清贫民窟内的毒品链。厌倦刀光血影的纳斯西蒙将心思放在了妻子和尚未出世的婴儿身上,他将任务交给了两个热血且充满理想的年青人——内图(Caio Junqueira 饰)和马提阿斯(André Ramiro 饰)。他们俩都不满警察队伍的腐败,决心在精英部队中大展身手…… 本片荣获2008年柏林国际电影节金熊奖。
梅尔默一家的每个成员都在各自的问题中挣扎。谢尔哈特很难让贝谷姆适应他们的新生活。谢尔哈特的生活中少了一个女人,而加赞弗则努力维持家庭的和睦。
Piotr Czarny is a charming thirty-something lawyer. He is constantly chasing adrenaline, women and parties. His goal was to fill the list of mistresses with names for every letter of the alphabet. His plan is put in jeopardy when a colleague, Olga - the only woman he's completely honest with and doesn't sleep with - gives him an ultimatum.
The five most ruthless torturers of Pinochet’s dictatorship are serving out sentences amounting to several hundred years in a luxury prison at the foot of the Andes. The place has a pool, gardens and aviaries where they are watched over by guards who feel more like their employees. When one of the inmates gives a TV interview, his declarations fuel an unexpected backlash. The fear of a possible move will make the men do everything in their power to stay put, unraveling the delirium and the violence.
Who really is Diabolik, the ruthless Italian comic book antihero? The final chapter of the Manetti Bros. adaptation sets out to find the answer. Taking a leap in time to the 1970s, a period of unrest marked by the Vallanzasca and Magliana gangs, student protests and street killings. The story begins with car chases and machine gun shots that leave innocent victims dead on the street. It’s not Diabolik pulling the trigger, as he has his own code of ‘professional’ ethics and only kills when necessary. Instead, it’s a gang of criminals responsible for the bloodshed, wreaking havoc in the city with gratuitous and unscrupulous violence. Captured by the gang, Diabolik and his nemesis, Inspector Ginko, find themselves locked in a cell with no way out.
它讲述了塞姆·卡拉卡的生活故事,他是安纳托利亚摇滚乐的传奇名字,创作了许多作品。这部电影不仅讲述了土耳其最具标志性的男性声音之一塞姆·卡拉卡的生活,尤其是在70年代末和80年代,而且还讲述了那个时代的社会政治背景。在此期间,土耳其青年呼吁更多的民主和自由,同时面临国家压迫和秘密团体的炸弹袭击。在某种程度上,这部电影是土耳其70年代和80年代政治气候的概要。塞姆·卡拉卡以其独特的嗓音和独特的风格,在人们心中始终占据着特殊的位置。他的斗争,无论是在音乐上还是在政治上,都受到广泛的赞赏和尊重。方向巧妙,演员出色.伊斯梅尔·哈西奥奥卢、库斯坎和雅塞明·雅尔辛的表演非常出色,剧本也很平衡。
根据传说,白狮是神的使者。当白狮子进入该山谷,一个年轻的人发现自己要不惜一切代价来保护白狮子。(文/moviereleased) According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs...
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
Shlomi, an eighteen-year-old Israeli soldier, flees the Gaza battlefield and heads to his girlfriend in Tel Aviv only to discover that the IDF elite is convinced he was kidnapped in the fog of war. This is a tragi-comic journey, taking place over a period of 24 hours in the hot and humid streets of Tel Aviv, shifting from terror to hope, from romance to nightmare. Director's Note: The clash between love and law is also the clash between breathless running and paralysis. One pushes Shlomi to defect from war-torn Gaza to Tel Aviv, to his beloved's arms. The other threatens both his existence and the world around him.
The film shows an obscure episode from the life of a Stalinist criminal - Colonel of the Office of Public Security, Julia Brystiger. Her nickname was "Bloody Luna" because during interrogations she tortured prisoners with extreme cruelty. At the beginning of 1960s she appeared in Laski near Warsaw, in the Institute for the Blind, where the Primate of Poland, Cardinal Stefan Wyszynski, was also a frequent visitor. His imprisonment in the years 1953-1956 was supervised by none other than Julia Brystiger herself. During the difficult and tempestuous conversation with the Primate, Julia Brystiger rejects the communist ideology, asks for her crimes to be forgiven and for help in finding God...