在90年代的阿根廷,一名高中生被谋杀印发了大规模抗议。在这部纪录片中,她的亲人重新讲述了此事件,以及她们追求正义而做出的努力
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
塞缪尔(汉斯·齐施勒 Hanns Zischler 饰)和科拉(西比勒·卡诺尼卡 Sibylle Canonica 饰)结婚多年,两人共同抚养着九岁的儿子尼古拉斯(Finn Kirschner 饰),日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上,一天,尼古拉斯失踪了。 负责此案的犯罪心理学家梅尔内特(马蒂娜·戈黛特 Martina Gedeck 饰)介入到了这个家庭之中,在和科拉的相处过程中,梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来,被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵,梅尔内特坚信,在这个看似美满的家庭之中,隐藏着不可告人的秘密。
迪恩(大卫·萨克莱夫 David Sutcliffe 饰)是一位作家,一次偶然中,他遇见了一个名叫帕布罗(小安东尼奥·萨巴图 Antonio Sabato Jr. 饰)的英俊男子,两人看对上了眼,共同享受了一夜缠绵,之后,帕布罗不告而别。 迪恩发现自己深深地爱上了神秘的帕布罗,于是决定前往南美洲寻找他的爱人。可是,让迪恩没有想到的是,他并没有能够找到爱人,却找到了爱人的两个情人索菲亚(Celina Font 饰)和马克斯(Leonardo Brzezicki 饰),从两人处,迪恩得知了帕布罗其实是一个薄情寡义的混蛋。然而,即便如此,迪恩还是没办法放弃这段感情,而他不知道的是,在一来二去之间,马克斯竟然爱上了自己。
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家,由 JSC 派往布鲁塞尔,到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓,要求透露有关罗杰的信息,并准备离开该国。蒂尔达试图劝阻她,但无济于事。蒂尔达只能自谋生路,她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上,彼得·奎尔强迫她靠边停车,他自称是军情六处。他警告她,俄罗斯未来打算重新占领爱沙尼亚,以及为什么该国对欧盟安全至关重要。
这部作品基于奥斯曼帝国崩溃时期关于“被诅咒的房子”的传闻。故事讲述了不情愿地作为新娘来到阴暗的伊斯坦布尔大宅的菲克里耶,以及这座大宅神秘的主人纳西特·内菲·埃芬迪,他们将踏上一段揭开过去黑暗秘密的旅程。
In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.
Who really is Diabolik, the ruthless Italian comic book antihero? The final chapter of the Manetti Bros. adaptation sets out to find the answer. Taking a leap in time to the 1970s, a period of unrest marked by the Vallanzasca and Magliana gangs, student protests and street killings. The story begins with car chases and machine gun shots that leave innocent victims dead on the street. It’s not Diabolik pulling the trigger, as he has his own code of ‘professional’ ethics and only kills when necessary. Instead, it’s a gang of criminals responsible for the bloodshed, wreaking havoc in the city with gratuitous and unscrupulous violence. Captured by the gang, Diabolik and his nemesis, Inspector Ginko, find themselves locked in a cell with no way out.