这部作品基于奥斯曼帝国崩溃时期关于“被诅咒的房子”的传闻。故事讲述了不情愿地作为新娘来到阴暗的伊斯坦布尔大宅的菲克里耶,以及这座大宅神秘的主人纳西特·内菲·埃芬迪,他们将踏上一段揭开过去黑暗秘密的旅程。
新品种少女学。女孩艾玛有点色,色情电话来谈心,老板到老友,男女都可以,异想世界中通通恋上 我的床,直到白马王子咚咚来,一个「擦枪走火」,从此引发好姊妹之间战火。当整个小镇与我为敌。 身体乍萌的战慄与微微的迷惑。女孩之间转瞬变脸合纵连横的複杂关系,清新又坦荡,越要爱越要作 。 追忆起那些汤汤水水的甜蜜事儿。青春微色,微涩。 少女情怀总是湿。新世代少女站出来,导演雅妮克贾考森重写成长电影系谱,让鸡汤变清水,欲望可 以很混浊也能很纯净,直触成长不可言说之蕊心,亲情友情爱情层次分明一次到位,还有激情和恋情, 浑然天成毫不造作。荣获翠贝卡影展最佳剧本奖。每个女人心里都住著一位少女。每个少女心头都该 有这部青春映画。
A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
「网黄」辣罗从不吝展示自己的性感胴体,在手机镜头前搔首弄姿,无处不见他的巨雕展翅,更经营成人社群,春光乍泄满是性爱影片。他决定更进一步,离开打工工厂,成为专职GV男优。辣罗开始与交手的男优私约拍片,在色情网络的声势逐渐水涨船高。贩卖性爱为他赚进大笔钞票,却让他的心灵逐渐崩盘。 以《蓝色的应召男郎》勇夺柏林影展最佳短片的阿根廷导演,再次关注男同志色情产业,记录当代网络色情环境与深陷其中的男体。当肉体被虚拟贩卖,真实生活是否也将迈向虚无?宛若不存在的镜头穿梭在GV片场、性爱现场与网路时空,巧妙徜徉各式私密场域间,摄影机运动神乎其技,令人大开眼界。魔幻写实的拍摄手法,与故事中呈现之虚实维度反覆交融、完美贴合,建造一座镜花水月,却又残酷锐利的酷儿性乐园。
刚刚遭受丧子之痛的家庭主妇凯伦(波迪尔·约根森 Bodil Jørgensen饰),敏感脆弱。她失魂落魄的游荡在哥本哈根的街头,在餐厅进餐时偶遇一位紧握她手不放的白痴。出于同情心,凯伦一路跟随他,目睹了一群终日装疯卖傻的“白痴们”。其实这群年轻男女并非是真正的弱智者,他们是以史托佛(杨斯·艾宾纳斯 Jens Albinus饰)为首佯装白痴的正常人。为了向中产阶级体制挑战,他们不顾舆论压力,以欺骗他人、玩弄他人为乐。凯伦一方面无法彻底成为“白痴”,一方面又对他们的行径梦寐以求。渐渐地,凯伦开始在她的家人面前扮演起了白痴,深陷其中不能自拔。本片入围1998年第51届戛纳电影节主竞赛单元-金棕榈奖。这部以“道格玛95”为电影拍摄准则的影片,不仅在拍摄手法上完全不顾画面的美感,更是继《感官世界》后又一部大量暴露性器官镜头的影片,极度挑战着电检制度和观众的道德尺度。《白痴》与《破浪而出》、《黑暗中的舞者》合称“良心三部曲”。
The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.
意大利米兰的瑞奇家族靠纺织业致富,在家长的寿宴上,爷爷将企业传给了儿子坦科雷德(加布里埃尔.费泽蒂 Gabriele Ferzetti 饰)和孙子爱德瓦多(弗拉维奥·帕伦蒂 Flavio Parenti 饰)。坦科雷德的俄国妻子艾玛(蒂尔达·斯维顿 Tilda Swin ton 饰)酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥(爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰)之后,艾玛被安东尼奥高超的烹饪手艺所吸引,情不自禁坠入爱河。不仅如此,艾玛还必须隐瞒她偶然发现女儿伊丽莎白(阿尔芭·洛尔瓦彻Alba Rohrwacher 饰)是同性恋的事实。与此同时,家族的事业也在变迁,尽管爱德瓦多独力反对出售家族企业,却还是无法抵挡资本全球化大潮的冲击,并购势在必行。在探讨商务的晚宴上,一个意外打破了艾玛苦心枯守的表面平静,她的灵魂就要破茧而出……
我们再次见到了这两对夫妇:塞西莉和安德烈亚斯,以及他们的儿子利奥,丽芙和马尔特,以及他们的女儿西尔。两个孩子现在都两岁了,家人仍然保持联系,但过着截然不同的生活。在体检中发现,这两个婴儿从未被交换过。震惊平息后,两家人决定搬到安德烈亚斯和塞西莉的集体住处,这样双方父母就可以每天和两个孩子在一起。然而,很快,夫妻俩对生活方式、装饰、饮食习惯和养育方法的截然不同的看法就变得明显,两个家庭努力生活在同一屋檐下。塞西莉对她的亲生女儿西尔的感情比对利奥的感情要深得多,她决定背着其他三位父母寻求西尔的监护权。塞西莉意识到自己做错了,但为时已晚,她的自私计划也暴露无遗。集体分崩离析,丽芙和马尔特带着西尔离开,塞西莉现在必须努力争取
IMPALED REKTUM in jail and with an offer to play Germany's Wacken Open Air festival. Unprepared and imprisoned, the band refuses the festival slot. However, the guitarist's father goes ill and is in dire need as the family home and slaughterhouse are about to be demolished. Cue the music: time to get out of jail! IMPALED REKTUM 的成员们在狱中被关了几年,突然接到邀请参演德国的瓦肯露天音乐节。乐队在没有准备和身陷囹圄的情况下,回绝了音乐节的邀请。然而,吉他手的父亲生病,同时他的家和屠宰场即将被拆除,急需帮助。此处音乐响起:该出狱了!
In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.