电影筛选Yura, working at a local nature museum, looking for a rare species, witnesses an arson in the forest. He brings the photos to a local newspaper, and gets a job there. With his new profession it dawns to him that the reality around him is a far cry from what is written in the newspaper.
「网黄」辣罗从不吝展示自己的性感胴体，在手机镜头前搔首弄姿，无处不见他的巨雕展翅，更经营成人社群，春光乍泄满是性爱影片。他决定更进一步，离开打工工厂，成为专职GV男优。辣罗开始与交手的男优私约拍片，在色情网络的声势逐渐水涨船高。贩卖性爱为他赚进大笔钞票，却让他的心灵逐渐崩盘。 以《蓝色的应召男郎》勇夺柏林影展最佳短片的阿根廷导演，再次关注男同志色情产业，记录当代网络色情环境与深陷其中的男体。当肉体被虚拟贩卖，真实生活是否也将迈向虚无？宛若不存在的镜头穿梭在GV片场、性爱现场与网路时空，巧妙徜徉各式私密场域间，摄影机运动神乎其技，令人大开眼界。魔幻写实的拍摄手法，与故事中呈现之虚实维度反覆交融、完美贴合，建造一座镜花水月，却又残酷锐利的酷儿性乐园。
它讲述了塞姆·卡拉卡的生活故事,他是安纳托利亚摇滚乐的传奇名字,创作了许多作品。这部电影不仅讲述了土耳其最具标志性的男性声音之一塞姆·卡拉卡的生活,尤其是在70年代末和80年代,而且还讲述了那个时代的社会政治背景。在此期间,土耳其青年呼吁更多的民主和自由,同时面临国家压迫和秘密团体的炸弹袭击。在某种程度上,这部电影是土耳其70年代和80年代政治气候的概要。塞姆·卡拉卡以其独特的嗓音和独特的风格,在人们心中始终占据着特殊的位置。他的斗争,无论是在音乐上还是在政治上,都受到广泛的赞赏和尊重。方向巧妙,演员出色.伊斯梅尔·哈西奥奥卢、库斯坎和雅塞明·雅尔辛的表演非常出色,剧本也很平衡。
Davi Martins, a commercial director of a financial institution, and Juliana Martins, a personal trainer, are a couple trying to recover from a crisis. At work, Davi ends up getting involved in the investigation of a financial scandal, putting himself in the crosshairs of dangerous people. Little by little, Juliana discovers that her new home may not be a new beginning, but the stage for a real nightmare. Some secrets may end her life
Forgotten soap-star and self-appointed Mother of the Year, Ronnie Lipsick is living the life she never asked for. An acting career derailed due to an untimely pregnancy 18 years earlier, dreams of stardom replaced with a suburban performing arts school. A husband, Cormack, who’s lust and love for life has gone as limp as his manhood. Youngest daughter, Norah, who appears to have no use for her and finally, the ungrateful eldest, Audrey, who Ronnie has given the best part of her parenting time to mould into the success she always wanted to be. But when an accident lands Audrey in a coma, Ronnie gets her second chance at the life she actually wanted by taking on her daughter's identity.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
《八月三十一日，我在奥斯陆》的金奖编剧艾斯基佛格，今年首执导演筒长片作品《盲》，一鸣惊人横扫国际各大影展，拿下柏林影展最佳欧洲电影奖、日舞影展世界电影单元最佳剧本奖，以及入围挪威奥斯卡七项大奖。透过独特的叙事结构与影像魅力，捕捉盲眼女主角内心的脆弱与偏执。 最近失明的英格丽 几乎足不出户，尽管失去了视力，但她的心与想像力仍旧清晰而活跃，但恐惧却让她在自己的内在世界，书写出另一个人生剧本。 她时常幻想外出上班的丈夫偷溜回家，观察她在家中的一举一动，或是在网路上认识了一名单亲妈妈，偷偷与她约会；英格丽看见他们在餐厅里谈笑着，突然间，女子失去视力... 而察觉到异样的丈夫不久和女子分手，但她却说自己怀孕了，还挺着大肚子到派对上找他对峙。正当女子一身滑稽的礼服成为众人的笑柄，英格丽仿佛走进自己的幻想世界，化身成穿着礼服的女子和丈夫对峙着...
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