真人真事改编,继《逆转人生》后最感人励志电影,强势问鼎西班牙「高第奖」11项大奖,荣获「高第奖」最佳男、女配角奖肯定!由《风流西班牙》哥雅奖票房巨星丹尼罗维拉催泪主演,《黑色追缉令》威尼斯影后玛丽亚德梅黛洛惊艳演出。 拥有完美人生与家庭的成功企业家拉蒙(丹尼罗维拉饰演) ,正期待第二个孩子的诞生,此时医生却告诉他罹患罕见的「多发性硬化症」(MS),并已经开始发病,自己很快将连100公尺的距离都走不到。 此刻的他,并没有选择放弃人生,反而决定为了即将出世的孩子成为钢铁人,努力配合化疗,并在前体育老师的岳父(卡拉埃雷贾德饰演)帮助下,开始练习铁人三项:3.8公里游泳、180公里脚踏车,以及42公里马拉松。他决心突破疾病限制,跑出自己的钢铁之路!
Marcelino Sanz de Sautuola y de la Pedrueca, in 1868, accidentally discovered Paleolithic paintings with the help of a hunter named Modesto Cubillas inside Altamira's caves, located in Cantabria, north to Spain. Trying to expose their discovery to the academic world for that they study the paintings, Sautuola crashed against the skepticism and discredit of all experts, who claimed that the caves were false and the paintings made for the own Sautuola, in a effort to get rich. Looking for the truth, Sautuola was the rest of his life fighting to prove that those paintings were real, trying to restore his innocence from the accusations of falsehood launched against him.
荷西(阿德丽安娜·尤加特 Adriana Ugarte 饰)是一位在艺术大学就读的女生,一直爱慕着名为马克(尼洛·穆 Nilo Mur 饰)的同学。某日,马克邀请荷西来他的宿舍玩,孤男寡女共处一室,很快,心照不宣的两人便开始宽衣解带,在这个节骨眼上,马克的室友杰米(比尔·度伦 Biel Durán 饰)意外现身,虽然出现的时机不妥,但来的都是客,荷西和马克热情的邀请杰米加入他们的“游戏”之中。 就这样,这一女两男之间开始了他们扭曲的关系。随着时间的推移,荷西开始怀疑,当初杰米的出现并非意外,而是杰米和马克一次筹划的一个阴谋。不仅如此,马克的种种举动亦开始让杰西怀疑起他的性取向来。
经营裁缝店的卡洛斯(安东尼奥·德拉·托雷 Antonio de la Torre 饰)安静优雅,他生活在西班牙一座静谧舒适的小镇,每天只是裁剪和烹饪美食,爱情仿佛与他完全绝缘。那天,卡洛斯所在的公寓搬来一位名叫亚历珊德拉(Olimpia Melinte 饰)的金发美丽女子。女人时常打电话大声吵架,突如其来的噪声显然侵扰了卡洛斯壳中的生活,但这个男子似乎又隐隐对亚历珊德拉产生了不易让人察觉的兴趣。某晚,亚历珊德拉找到卡洛斯,希望他能带自己去报案。在此之后,亚历珊德拉人间消失,而失踪当晚曾和她吵过架的双胞胎妹妹尼娜(Olimpia Melinte 饰)来到公寓寻找姐姐的下落,并宿命般地遇见了卡洛斯。 藏着可怕秘密的卡洛斯,死神一般静寂的生活泛起波澜……
西班牙足球运动员首次齐聚一堂,重温动荡的 2023 年女足世界杯以及为她们的胜利蒙上阴影的亲吻。我没有密切关注 2023 年世界杯,因此 RFEF 主席路易斯·鲁维亚莱斯 (Luis Rubiales) 未经同意亲吻西班牙球员詹妮弗·埃尔莫索 (Jennifer Hermoso) 引起的轩然大波并不是我的新闻推送中的大新闻。但我肯定听说过它。然而,我不知道的是整个背景故事以及两个男人——鲁维亚莱斯和女队主教练豪尔赫·维尔达——在联合会和球队的领导和管理中所扮演的角色。这部纪录片的优势在于对关键人物和目击者的采访。它的弱点是无法采访鲁比亚莱斯和维尔达,了解他们的观点。
本部影片讲述的是一位病重的老母亲留下了一栋楼作为遗产。两个性格迥异、关系疏远的兄弟各自为了赢下这栋楼的野心站到了一起。他们的对手,是其他的亲戚朋友,他们各出奇招,都对于赢下房子充满信心。他们在门口偷听、闯入他们的住宅,甚至无惧与警察直接正面交锋,偷开警车还导致了交通事故……故事中的每个人都野心勃勃,从室外直接徒手攀爬进屋也在所不辞。两兄弟的继承权被大大的威胁了,于是,他们也不再拘泥于保守的防御,而是转而展开了主动的进攻。面对着母亲被亲友拖走、对手的雨夜入侵,两位兄弟是否能够守护好自己应得这一份巨额的遗产呢?本片以喜剧的风格展现了性格不同但却默契十足的一对兄弟携手战胜困难、守护母亲遗产的故事,虽然笑点满满,但依旧充满温情。
提姆是一个生活在孤儿院的孩子,他孤僻又有些胆小,熟悉夜空中的星星,每晚要看着天上的星光后才能安然睡去,但是这天,提姆发现那颗属于他的星星消失不见了!无法入睡的提姆在屋顶焦灼的走动,不慎坠落,危机关头,督促猫们帮助孩子入睡的猫神父帕斯特将他救起。从帕斯特口中,提姆知晓还有一个夜间世界的存在,而莫卡是这个世界的管理者,提姆在帕斯特的带领下面见莫卡,向其说明星星正在逐渐消失的异象,可莫卡并不关心。提姆只得偷拿了星星守护人的联系方式,拜托帕斯特再度陪伴他找回星星。在神奇的夜晚世界,提姆在帕斯特的猫随从们、制作梦和露珠的小精灵之间向星星守护者的住处进发,而并不知道他和帕斯特此刻落入了莫卡的阴谋……
Desdemona lives on an isolated island with her strange family: her father Mario, her stepmother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona's family.
故事的主角是一个沉默的独行杀手(Isaach De Bankolé 饰),他永远只点两杯咖啡,在无聊的时候练习太极,不为任何诱惑所动。某日,他接受一项神秘的任务,随后启程前往西班牙马德里。在这里他必须和一个又一个联系人作单线联系,而联系的凭证便是红色或绿色的火柴盒。这些联系人中,有谨小慎微但热爱音乐的中年男子(路伊斯·托沙 Luis Tosar 饰),有打扮出众钟爱电影的白衣女子(蒂尔达·斯维顿 Tilda Swinton 饰),有醉心波希米亚文化的老人(约翰·赫特 John Hurt 饰),更有沉迷分子学的神秘东方女性(工藤夕贵 饰)。按照他们的指引,杀手一步步逼近了他的目标……
The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet.