A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
正所谓“少要沉稳老轻狂”,年届不惑的弗兰提斯克·汉那(Vlastimil Brodský 饰)越老越有活力,他不去理会老婆艾蜜莉(Stella Zázvorková 饰)辛苦存下棺材本钱的良苦用心,也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡,只想尽情享受最后的时光。他和剧院的好友艾德(Stanislav Zindulka 饰)假扮各种身份的人,从中得到无限的乐趣,却也因此惹下不少的麻烦。垂暮的生命,因一颗青春顽皮的心而充满光芒…… 本片荣获2002年克里夫兰国际电影节最佳影片奖;2002年捷克金狮奖最佳女主角奖(Stella Zázvorková)、最佳剧本奖和最佳男配角奖(Stanislav Zindulka);2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.
Who really is Diabolik, the ruthless Italian comic book antihero? The final chapter of the Manetti Bros. adaptation sets out to find the answer. Taking a leap in time to the 1970s, a period of unrest marked by the Vallanzasca and Magliana gangs, student protests and street killings. The story begins with car chases and machine gun shots that leave innocent victims dead on the street. It’s not Diabolik pulling the trigger, as he has his own code of ‘professional’ ethics and only kills when necessary. Instead, it’s a gang of criminals responsible for the bloodshed, wreaking havoc in the city with gratuitous and unscrupulous violence. Captured by the gang, Diabolik and his nemesis, Inspector Ginko, find themselves locked in a cell with no way out.
15岁的意大利少女梅丽莎(María Valverde 饰)与母亲和祖母的住在一起,她的生活平淡甚至有些枯燥,每天这个天真纯洁的女孩都在渴望一段浪漫的爱情。某天,梅丽莎和好友参加同学所组织的派对,她邂逅了英俊帅气的男孩丹尼尔(Primo Reggiani 饰)。只是爱情之花并未如期盛开,梅丽莎遭遇了一次带有羞辱性质的性经历,她却从此迷上了这个玩世不恭的男孩。在接下来的日子里,梅丽莎可以引起丹尼尔的注意,而丹尼尔则对她进行各种各样的羞辱。在明白丹尼尔的心意之后,梅丽莎通过放纵来进行报复,她甚至将每段性经历都写入日记…… 本片根据曾轰动欧洲的真实的少女日记——《床前100次梳理乱发》改编。
1944: Stella Goldschlag will Jazz-Sängerin werden und träumt von einer Karriere am Broadway. Aber die Nazis beherrschen Deutschland. Und Stella ist Jüdin. Nachdem Stella zusammen mit ihren Eltern untertauchen muss, verwandelt sich ihr Leben in eine schuldhafte Tragödie. Durch einen Verrat wird sie von der Gestapo gefasst, gefoltert und zur «Greiferin» gemacht: Um sich und ihre Eltern vor der Deportation nach Auschwitz zu bewahren, beginnt Stella, systematisch andere Juden zu verraten.
Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
意大利米兰的瑞奇家族靠纺织业致富,在家长的寿宴上,爷爷将企业传给了儿子坦科雷德(加布里埃尔.费泽蒂 Gabriele Ferzetti 饰)和孙子爱德瓦多(弗拉维奥·帕伦蒂 Flavio Parenti 饰)。坦科雷德的俄国妻子艾玛(蒂尔达·斯维顿 Tilda Swin ton 饰)酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥(爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰)之后,艾玛被安东尼奥高超的烹饪手艺所吸引,情不自禁坠入爱河。不仅如此,艾玛还必须隐瞒她偶然发现女儿伊丽莎白(阿尔芭·洛尔瓦彻Alba Rohrwacher 饰)是同性恋的事实。与此同时,家族的事业也在变迁,尽管爱德瓦多独力反对出售家族企业,却还是无法抵挡资本全球化大潮的冲击,并购势在必行。在探讨商务的晚宴上,一个意外打破了艾玛苦心枯守的表面平静,她的灵魂就要破茧而出……
The film comprises six interconnected stories, one of them co-written with actress-screenwriter Iulia Lumânare. Interestingly, the feature recycles (and completes) The Christmas Gift and another, unreleased short film, New Year’s Eve. One of the protagonists is Ştefan Silvestru, the director of the national television station, who has to deal with a career-ending issue: an actress who appeared in a sketch to be broadcast on New Year’s Eve has defected the country. Silvestru’s son, Laurenţiu, who plans to defect by swimming across the Danube to Yugoslavia, is the protagonist of another story, all six of them exploring the atmosphere in Bucharest before the “end of the world”, or the fall of the regime.
NAHIR. Prime Video anunció el inicio de la producción de su nueva película Amazon Original, Nahir, que es un thriller y drama de ficción basado en uno de los casos policiacos más conmovedores de crímenes reales en Argentina en los últimos años. En 2018, Nahir Galarza, de 19 años, interpretada por Valentina Zenere (Elite, Soy Luna), se convirtió en la mujer más joven en ser condenada a cadena perpetua en el país. Fue acusada y condenada por asesinar a su novio, Fernando Pastorizzo. La historia dio un giro cuando acusó a su padre, un oficial de la policía, de ser el verdadero asesino, lo que fue rápidamente descartada por el sistema de justicia. Nahir estará disponible en Prime Video en más de 240 países y territorios a nivel mundial.