电影筛选遥远的北欧地区，瑞典的斯德哥尔摩一片银装素裹，寒气逼人。12岁少年奥斯卡（Kåre Hedebrant 凯尔•赫德布朗特 饰）生活在一个单亲家庭，他在学校形单影只，饱受欺负；回家后则偷偷搜集关于各类凶杀案的剪报，或者深夜挥着小刀在树上发泄着自己的愤怒。 新搬来的小孩爱莉（Lina Leandersson 莉娜•莱纳德尔森 饰）走进了奥斯卡的生活，他们慢慢成为朋友，并逐渐产生爱情。而就在此时，奥斯卡无意中发现爱莉一个令人毛骨悚然的秘密…… 本片改编自瑞典小说家约翰•林德科维斯特（John Ajvide Lindqvist）2004年的同名畅销书，并荣获2008年翠贝卡电影节最高奖、2008高森博格电影节最佳北欧电影奖及柯达最佳摄影奖。
Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.
The film shows an obscure episode from the life of a Stalinist criminal - Colonel of the Office of Public Security, Julia Brystiger. Her nickname was "Bloody Luna" because during interrogations she tortured prisoners with extreme cruelty. At the beginning of 1960s she appeared in Laski near Warsaw, in the Institute for the Blind, where the Primate of Poland, Cardinal Stefan Wyszynski, was also a frequent visitor. His imprisonment in the years 1953-1956 was supervised by none other than Julia Brystiger herself. During the difficult and tempestuous conversation with the Primate, Julia Brystiger rejects the communist ideology, asks for her crimes to be forgiven and for help in finding God...
A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.
Vera and André are a couple who get the chance to pitch their business at a prestigious competition. Before the competition, Vera tries hypnotherapy to quit smoking, with an unexpected side effect: she loses all social inhibitions. André has a hard time dealing with this. When it risks ruining his career, he’s torn between accepting her new personality and taking drastic measures to make her stop.
Director John Raftopoulos co-wrote the screenplay with Dave Paterson (2067) based on the true love story between himself and his current wife. Take My Hand follows vibrant young Australian woman Laura, who forges a successful banking career in London and seemingly has the perfect marriage. Her world is turned upside down when she is diagnosed with multiple sclerosis and her husband starts to show his true colors. When a tragic accident leaves her a widowed mother with three sons, she returns home to Australia, and is reunited with Michael, a high school friend and a divorcee with one daughter, who has loved Laura since they were teenagers.
从很小的时候起，妹妹（朱琳 饰）就被父母抛弃成为了孤儿，幸运的是，远在澳大利亚，有一个名叫兰德尔（盖·皮尔斯 Guy Pearce 饰）的绅士出手相助，妹妹才能在孤儿院过上衣食无忧的生活。妹妹从未见过她的救命恩人，她对兰德尔的所有了解都局限于后者寄给她的各种各样漂亮的卡片之中，在妹妹的印象里，兰德尔住在一幢大房子里，家庭幸福，富有又善良。 一次意外的机会中，妹妹所在的孤儿院来到澳大利亚参加一个活动，妹妹偷偷的离开了队伍，独自踏上了寻找兰德尔的旅途。没想到，现实犹如一盆冷水浇在了妹妹的头上，兰德尔并不富有，甚至都失去了自由。兰德尔的落魄并没有改变妹妹对他的尊重，随着时间的流逝，一种类似于亲情的感情在两人之间产生了。
"Nove Ospiti per un Delitto" is a mediocre giallo in the tradition of Agatha Christie's "And Then They Were None". Nine members of the same family go to an island, where nobody lives - but the head of the family (Arthur Kennedy) owns a nice house there. Problem is that he and his three sons keep a dark secret, and this dark secret begins to haunt them as soon as they are on the island. One by one they fall victim to a mysterious killer... (IMDb)
At Christine's funeral, her foster son suddenly shows up, a grown-up man with whom the family has been out of contact for quite some time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.
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