电影筛选尤里（丹尼拉·科兹洛夫斯基 Danila Kozlovsky 饰）原本是莫斯科王牌球队的队长兼主力，因为痛失点球情绪失控不得不提前退役，退役后的生活颓废至极，在父亲的劝说下，他来到了俄罗斯边远小城，成为了这个城市唯一一支球队——流星队的主教练。尤里由于脾气火爆，跟球队经理（伊琳娜·戈尔巴乔娃 Irina Gorbacheva 饰）和市长冲突不断，而懒散的球员们也对曾经的巨星疯狂奚落，尤里本想破罐破摔，但是美丽的队医（奥莉亚·祖耶娃 Olya Zueva 饰）照亮了他的生活，少年球队的教练（弗拉基米尔·伊利因 Vladimir Ilin 饰）也给他带来了眼前一亮的训练方法。在了解了球员们的真实状况后，尤里决心重新以主教练的身份一雪前耻，等待他们的是困难重重的比赛，和物力、人力的缺失，关键的比赛时刻，一直支持尤里的父亲也突然去世，尤里能否引领队伍重回巅峰呢？
影片讲述了凯和格尔达生活在一个安静舒适的小镇上，几个强大的冰怪物突然降临到这个小镇，冻结了所有的居民，但是，冰雪公主伊拉挺身而出，和伙伴们一起最终再次封印了冰怪物们，整个小镇的居民们也终于从冰冷的束缚中解放出来的故事。
佳娜（阿格莱亚·塔拉索娃 Aglaya Tarasova 饰）出生在一个非常贫困的家庭之中，在母亲的鼓励和栽培下，佳娜成为了一名花样滑冰运动员，虽然佳娜的身体条件并不是非常适合这项运动，但凭借着自己的努力，佳娜最终成功的站在了世界顶级花滑男选手里奥纳夫（米洛斯·比柯维奇 Milos Bikovic 饰）的身边，成为了他的搭档。两人通过默契十足的合作夺得了许多耀眼的成绩，彼此之间也碰撞出了爱情的火花。 花滑世界杯即将开始之前，佳娜不幸受伤，无奈只能告别赛场，里奥纳夫也因此离开了她。就在佳娜万念俱灰的时候，冰球运动员萨沙（亚历山大·佩特洛夫 Alexander Petrov 饰）成为了她坚强的后盾。
轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感。酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地抛弃隔绝在另一个充斥着家庭、友谊、爱情和机遇等概念的世界里。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂 暴的方式敲开虚假，洞见千禧新世代的生命曙光。为了寻找问题的答案，他们像腐蚀周围世界的化学物质一样吞噬自己，为了最终学会不听而听，不看而看。找到他们的路。 <Acid>是二十岁一代的无声宣言。本片是初执导筒的俄国男星亚历山大葛奇林（Aleksandr Gorchilin）长片首作。挑衅满满的镜头语言，爆发独有的生猛力道，光荣入围柏林影展泰迪熊奖！
翻拍自1957年Sidney Lumet的12 angry men。 一个车臣男孩被指控谋杀自己俄罗斯军官的养父，所有证人和证据均对他不利，12位陪审团成员对此展开了讨论，他们将决定男孩今后的命运。 12名陪审员来自不同的行业，不同的种族。刚开始的时候，每个人心不在焉， 对这起案件并不在乎，除了一个物理研究员之外，他们都认为男孩有罪。但是，物理研究员唤起了其他11个人对生命的尊重，他们开始认真讨论这起案件，讲述各自生活中的故事和经历，在决定男孩命运的同时，也审视自己的内心世界。 最终，当他们达成一致意见的时候，陪审团主持人（Nikita Mikhalkov 饰）的决定却出乎意料……
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
A young boy dreams of going to the junior sumo wrestling tournament in Tokyo to find his father and make him proud. That is until a global pandemic turns the world upside down.
冰寒大地，恶龙肆虐。每到特定日子，人们必须献祭出美丽的女孩，让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦，凭着对女孩的真爱找到龙的巢穴，将恶龙杀死，这 片土地也因此恢复平静。 数十载后，残暴恶龙与勇敢屠龙者的故事已经成为传说。这天，美丽的公爵小女儿米拉（玛利亚·波兹哈娃 Mariya Poezzhaeva 饰）即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌，不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走，遗落在荒无人烟的遗骸岛。在岛上，她遇到一个神秘人阿尔曼（马特维·雷科夫 Matvey Lykov 饰），然而米拉发现，这个有着人类躯体的男子，竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活，米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉，假装赶走米拉，米拉在海上漂泊被未婚夫救走，婚礼即将再次举行。
David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath?
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set. In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene. In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
A heroic story about firefighters and rescuers. What we call an act of bravery is just a usual routine for them, if only one can get used to mortal danger and extreme risk. When people in distress seem to have nobody who may help them, rescuers come to fight against merciless forces of nature.
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