15岁的意大利少女梅丽莎(María Valverde 饰)与母亲和祖母的住在一起,她的生活平淡甚至有些枯燥,每天这个天真纯洁的女孩都在渴望一段浪漫的爱情。某天,梅丽莎和好友参加同学所组织的派对,她邂逅了英俊帅气的男孩丹尼尔(Primo Reggiani 饰)。只是爱情之花并未如期盛开,梅丽莎遭遇了一次带有羞辱性质的性经历,她却从此迷上了这个玩世不恭的男孩。在接下来的日子里,梅丽莎可以引起丹尼尔的注意,而丹尼尔则对她进行各种各样的羞辱。在明白丹尼尔的心意之后,梅丽莎通过放纵来进行报复,她甚至将每段性经历都写入日记…… 本片根据曾轰动欧洲的真实的少女日记——《床前100次梳理乱发》改编。
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
A sequel to the smash hit
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
刚刚遭受丧子之痛的家庭主妇凯伦(波迪尔·约根森 Bodil Jørgensen饰),敏感脆弱。她失魂落魄的游荡在哥本哈根的街头,在餐厅进餐时偶遇一位紧握她手不放的白痴。出于同情心,凯伦一路跟随他,目睹了一群终日装疯卖傻的“白痴们”。其实这群年轻男女并非是真正的弱智者,他们是以史托佛(杨斯·艾宾纳斯 Jens Albinus饰)为首佯装白痴的正常人。为了向中产阶级体制挑战,他们不顾舆论压力,以欺骗他人、玩弄他人为乐。凯伦一方面无法彻底成为“白痴”,一方面又对他们的行径梦寐以求。渐渐地,凯伦开始在她的家人面前扮演起了白痴,深陷其中不能自拔。本片入围1998年第51届戛纳电影节主竞赛单元-金棕榈奖。这部以“道格玛95”为电影拍摄准则的影片,不仅在拍摄手法上完全不顾画面的美感,更是继《感官世界》后又一部大量暴露性器官镜头的影片,极度挑战着电检制度和观众的道德尺度。《白痴》与《破浪而出》、《黑暗中的舞者》合称“良心三部曲”。
A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice person – he is quite the assgrabber and a two faced cheater. Too late to fire the star and the grand concert that will save the band is about to begin when the cellist chokes to death – 15 minutes before the concert. The band decides to risk it all and play the concert with a dead solo artist – not really thinking about how to end such a macabre show.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
亚当(马丁·巴赫 Martin Buch 饰)和妻子结婚多年,两人之间的感情早就已经被时间消磨的所剩无几。一天,亚当听闻了有一家换妻俱乐部,于是决定去探访一番,以找回往日的激情。在俱乐部里,亚当邂逅了名为派翠西亚(娜塔莉·玛杜诺 Natalie Madueño 饰)的美丽女子,被她迷得神魂颠倒。 派翠西亚和男友帕特里克(埃米尔·伯克·哈特曼 Emil Birk Hartmann 饰)一起来到俱乐部,两人为的就是寻求刺激。这一对俊男靓女自然受到俱乐部里其他成员的追捧,然而,帕翠西亚却发现,相比起女人,自己的男友似乎对男人更感兴趣。腰缠万贯的富豪杨恩(拉斯马斯·伯托夫特 Rasmus Botoft 饰)和太太也来到了俱乐部中,想不到这疯狂的举动却让他们找回了曾经的真心。
Once upon a time, Juan Pérez, the poorest of the poor, reaches fame in a fluke accident in what seemed to be an attempt of suicide, to protest against the government and his social condition. The Ministry of Economy, surrounded by the scandal in which he is blamed by Pérez's decision, decides to reward him changing his life giving him a little house, a car and a job. But when other poor people (Pérez's close friends) find out about his reversal of fortune, decide to imitate him faking suicide attempts in different buildings in Mexico City. The Ministry of Economy, terrified by the glance of having a plague of beggars, decides to declare poverty a crime and hence finish for once and for all with all the poor in the country. Pérez ends up behind bars. Three years later, Pérez is released and goes back to his previous social condition, but this time, aware of having one day as a rich man is better than a life as poor, he will do anything to get out of his misery... And he will manage to do so!
塞缪尔(汉斯·齐施勒 Hanns Zischler 饰)和科拉(西比勒·卡诺尼卡 Sibylle Canonica 饰)结婚多年,两人共同抚养着九岁的儿子尼古拉斯(Finn Kirschner 饰),日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上,一天,尼古拉斯失踪了。 负责此案的犯罪心理学家梅尔内特(马蒂娜·戈黛特 Martina Gedeck 饰)介入到了这个家庭之中,在和科拉的相处过程中,梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来,被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵,梅尔内特坚信,在这个看似美满的家庭之中,隐藏着不可告人的秘密。