电影筛选谨慎恭敬的杰克·马尔比（罗伯特·德尼罗 Robert De Niro 饰）在某政府部门供职，每天的工作便是对那些申请假释的犯人进行审核。他年复一年干着这份枯燥无味的工作，与妻子麦迪琳（Frances Conroy 饰）的关系也分外冷淡。他的心中隐藏着蓬勃的欲望，却又不得不用端正的表象去掩饰。 在杰克即将退休的时刻，已经蹲了八年大牢的纵火犯乔治·“石头”·克里森（爱德华·诺顿 Edward Norton 饰）来到他的桌前。乔治希望早日走出大墙，为此巧言令色试图博取杰克的信任，甚至不惜让美艳的妻子卢赛塔（米拉·乔沃维奇 Milla Jovovich 饰）色诱这个看似一本正经的君子。杰克心中的欲望渐渐失控，而企图通过宗教包装自己的乔治也仿佛听到来自上帝的福音……
一位女私家侦探在展望未来之前,希望纠正过去的错误。
Billed as an allegory about America’s fractured politics and culture, the film follows Simon, an up-and-coming commentator whose world is turned upside down when his best friend and debate opponent suffers a fatal heart attack. Simon refuses to leave the spotlight at an annual thought-leader summit, leading to an obsession with his new opponent and a growing rift with his ailing wife, Claire.
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
退休音乐家林肯是一家唱片店的老板，也是疏远的姐妹莉迪亚、格雷西和阿比盖尔的父亲，在她们的母亲去世后，他与朋友吉内尔密谋让她们在圣诞节团聚。
当奥罗拉·蒂加登工作的餐馆老板突然被杀时，她的新男友成为主要嫌疑人。
先来看看这个片的片名——“The 41 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It”（这个让莎拉·马歇尔怀孕、并且感觉“超级坏”的41岁老处男，这么翻译起来真拗口啊），神奇的不是哪位阿帕图的粉丝把这三个片（《40岁老处男》、《超级坏》、《忘掉莎拉·马歇尔》）揉在一块，神奇的是这么个山寨片还做得有模有样，并且还能发行DVD！（亚马逊上面已经有卖的了）总之，比起原片，山寨版更雷更猥琐，大家看看图个乐。
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
电影周榜单电影月榜单
友情连接：