电影筛选Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
Tells the story of Hassan - a security guard living an impoverished life with his mother who dreams of traveling and living abroad. One day he stumbles on the sport of blind soccer and cunningly decides to pose as a visually impaired man to join a team right before the World Cup tournament in Europe.
Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
Finally, Anton fell in love and married Yuni, who was also his wife's friend, Nuri. Even though Yuni and Nuri had promised not to pursue each other's partners, Nuri decided to let go because she had experienced multiple miscarriages. In the end, Nuri felt disappointed because Anton did not fulfill his promise to be fair. Yuni started experiencing supernatural terror during her pregnancy, which made her fall ill and led to conflicts with Bude. This situation led Yuni to choose Nuri to take care of her while Anton was away. What will happen when the first and second wives are under the same roof? Yuni's mother realized the danger that could befall her child and future grandchildren, but it was too late. Will the supernatural terror against Yuni end or escalate further?
In this suspense drama, three men – Alex, Greger and Henrik – spend an extended weekend in a remote cabin, intending to hunt deep in the Swedish woods. Their plan is to go duck hunting on a lake and stalk deer in the woods. An initial spell of hunting success sharpens their instincts and stirs a sense of rivalry. But one day all animals vanish without a trace and the forest turns eerily quiet. Yet the men are determined to continue the hunt.
本片是哈萨克斯坦独立三十周年献礼电影。 这部旨在表现哈萨克汗国著名可汗——哈斯木汗生平历史的鸿篇巨制，由曾执导《黑色人生》《无畏一千勇士》《托米莉斯女王》等诸多经典电影作品的阿坎·萨塔耶夫担任导演。 这部电影的事件涵盖1470年代至1520年代，聚焦于哈斯木汗掌权并引领哈萨克汗国走向强盛的1511年至1521年时期的传奇故事。哈斯木汗在1510年的乌利陶战役中获胜后，他的名声传遍了整个中亚大地。哈斯木汗统治期间，哈萨克汗国是当时中亚地区最强大的国家，人口超过100万，军力30万，领土囊括了整个钦察草原，西到伏尔加河，东到额尔齐斯河，南到锡尔河，北到托博尔，奠定了未来哈萨克斯坦的版图；还制定了《哈斯木法典》。
A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
土耳其举重运动员奥运会冠军奈姆•苏莱曼诺古传记。
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