ISABEL SULLIVAN (15) has just moved to a small town to live with her uncle PAUL who is the town's mayor. Isabel has recently lost her parents in a car accident. Feeling very alone and friendless, Isabel befriends a stray robot dog named ARCHIE. Though he looks like a normal dog, he is anything but. He can talk. He can run at blinding speed. He's got super strength and x-ray vision. Isabel and Archie become fast friends. She teaches him how to be a normal dog while he helps her to fit in with the cool kid clique. Most of all, Isabel can confide in Archie about what happened to her parents. Archie can relate. He's never had a family - until now. As the summer progresses, things start to get tricky. Paul is up for re-election and finds himself running against VERONICA TAYLOR who happens to be in cahoots with BURGERTROPOLIS - a national fast food franchise that has been trying to buy Paul out for years. What's worse, an evil man named HUGH JABLONSKI shows up in town claiming to be ...
拉娅(卢蒂娜·卫斯理 Rutina Wesley 饰)的姐姐是个无可救药的毒虫,她挪用了拉娅的学费购买毒品,并最终死于吸毒过量。经历了这一番变故,再也无法承担私立学校高昂学费的拉娅只能选择离开,她回到了老家,回到了位于多伦多黑人社区的公立学校。 同学们将拉娅在私立学校就读当做是一种“背叛”,其中名为米歇尔(翠茜·阿姆斯特朗 Tracey Armstrong 饰)的强势女生和拉娅之间的关系更是水火不容。舞蹈大赛即将举行,为了赢得巨额的奖金,拉娅想方设法加入了一支踢踏舞团。在训练期间,拉娅和同伴们培养了深厚的友谊,同时亦对踢踏舞产生了由衷的热爱,随着时间的推移,一个问题在拉娅的心中不断翻滚:公立学校和私立学校,究竟哪里才是她真正的归属?
When his girlfriend Sasha and best friend Elias give hothead Richard a harpoon for his birthday, he wants to try this new toy out right away. So the three of them set out for a day trip on a boat, but suspicion and jealousy soon start to get the upper hand. Before long, the tension has become unbearable. To make matters worse, the boat’s engine fails and then it turns out they left their supplies on shore: a nerve-wracking struggle for survival ensues that spares no one’s secrets – or blood. This post-modern adaptation of a story by Edgar Allan Poe in which three shipwrecked sailors draw lots to see who has to sacrifice himself as a cannibalistic snack, is a bloodthirsty thriller that leaves sufficient space for laughs. It’s painfully obvious from (nautical) miles away that this triangular relationship is not going to end well.
为了获得她的信托基金,艾薇(柯尔)负责向那些在她出生当晚救了她一命的人们献上圣诞祝福。为了帮助她的事业,她聘请了一位英俊的当地律师凯尔(mcgarr)来追踪那些帮助她的人,并试图秘密地了解他们可能想要的东西,同时保持她的匿名性。随着圣诞节的临近,这位女继承人和律师不能不为对方的魅力付出努力。但是随着时间的流逝,她是否能够在平安夜完成使命并实现所有的愿望?伊丽莎白·莱恩出身低微,是莱恩化妆品公司的创始人/首席执行官。35年前,当莱恩化妆品只是一个幻想的时候,单身和贫穷的伊丽莎白在圣诞前夜早退,她在暴风雪中在路上停下来,在布鲁克伍德小镇的一个小城镇的一个主要市民聚集开会。如果不是因为那些人,伊丽莎白和她的女儿在那天晚上出生,艾薇莱恩,可能就活不下去了。伊丽莎白一直试图向伊薇提供她从未有过的成长机会,但伊丽莎白现在觉得,伊薇的特权并没有使她受益,因为每当她放弃了她曾经尝试过的每一次追求时,她总是依赖于她的信任。就这样,在艾薇35岁生日前两周,伊丽莎白把她送去布鲁克伍德,带着那天晚上他们两人和四个人在餐厅的照片。隐姓埋名,艾薇就是去寻找这四个人,给他们最衷心的愿望。伊丽莎白的目标,伊薇看不到,也无法真正理解,是让伊薇对她的生活有一种感恩的感觉,而不是把它视为理所当然。为了激励伊薇,伊丽莎白一直到圣诞节前夕才让她完成这项任务,但没有这样做,伊丽莎白就把伊薇的全部信托捐赠给了她选择的慈善机构。艾薇带着一种愤怒的心情去执行任务,因为她母亲在圣诞节前夕以这种方式颠覆了她的生活。她知道她需要一个律师来处理礼物的法律问题,结果她雇佣了镇上唯一的律师,土著的儿子凯尔纽曼最初不愿意接这个案子,因为它听起来更像是一个宣传特技,但最终决定接受它,更多地了解礼物的性质。在凯尔的帮助下,伊薇了解到找到四个人并不是一件难事,而是说服四个人中的任何一个接受任何一种挑战。不管伊薇是否能完成这个挑战,问题是她是否会像伊丽莎白希望的那样,获得一个新的、更有价值的生活视角。但是说服这四个人接受任何挑战。不管伊薇是否能完成这个挑战,问题是她是否会像伊丽莎白希望的那样,获得一个新的、更有价值的生活视角。但是说服这四个人接受任何挑战。不管伊薇是否能完成这个挑战,问题是她是否会像伊丽莎白希望的那样,获得一个新的、更有价值的生活视角。
为了庆祝 O 女士的 100 周年诞辰,特工们回到过去见证了她作为特工的最后一个案件。然而,出了问题,他们让未来变得更糟。
通过这段奇妙的旅程,您可以了解这些迷人的猫科动物以及宠爱它们的人们,了解加拿大猫展的来龙去脉,当一只土耳其安哥拉猫和一只可爱的蓬松红色波斯猫展开对决,争夺“最佳展示猫”的国家奖项时,双方的爪子便会露出来。
故事发生在遥远的古罗马时代,位于庞贝古城的维苏威火山濒临爆发的边缘,再过不久,整座庞贝古城就要在瞬间化为一片废墟,被永久的埋没在史册之中。迈洛(基特·哈灵顿 Kit Harington 饰)从小就失去了父母和家人,被卖到富贵人家成为了奴隶斗士,一位名叫卡西亚(艾米莉·布朗宁 Emily Browning 饰)的贵族小姐出现在了他的生命里,尽管地位悬殊,但迈洛还是不可救药的爱上了她。 遗憾的是,卡西亚已经有了婚约,她即将被迫嫁给腐败昏庸的参议员柯福思(基弗·萨瑟兰 Kiefer Sutherland 饰)。火山爆发了,幸存的迈洛决定重返一片火海的城市,原因只有一个,那就是救出他的心上人。
A tenuously linked group of nobodies trudge through their woeful existence in dreary Winnipeg. A sickly middle-aged man in a failing marriage, a stand-up comedian whose sets are met by utter indifference, a stoner couple who share only trivial exchanges, and a young loner unsympathetic to his caring mother are each living lives lost in translation, detached from their surroundings and the people around them. -- from viff.org
Set in 1941, a drama about Canada's World War II policies toward Japanese-heritage citizens as told through the saga of a middle-class family forced to leave their successful Vancouver boating business, and relocate in a small, economically depressed mining town in the British Columbia interior, immediately following the bombing of Pearl Harbor.
In Terror Train 2, it has been over a year since a series of gruesome, vengeful murders took the lives of multiple college seniors aboard the now infamous Terror Train. Alana (Robyn Alomar) is coerced to join The Magician (Tim Rozon) and other remaining survivors on a New Year's Eve redemption ride aboard the very same train, where a new kind of evil spawns a vengeful bloodbath and once again, the terrified passengers fight survive.
When a mysterious planet crosses the sun, global catastrophes are unleashed. A rogue scientist is the key to deciphering the symbols and humanity’s only chance at survival.
Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema. Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong. Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
萨沙从小就面临一个严重的问题:她是一个吸血鬼,但却没有办法对人类下手。她的家人一直在想办法让她接受自己的天性,这期间她一直靠服用血浆生存。一天,她遇到了一个想要自杀的青年保罗。保罗长期遭受身边人的欺负和指责,对这个世界感到绝望,并决定完成最后的愿望后将自己的生命献给萨沙,帮助她找回天性。