36 岁的阿里斯在父亲将他赶出家门后开始住在自己的车里。他在街上刮胡子,吃他母亲带到车上的食物,并申请他母亲在报纸上为他标记的招聘广告。在经历了一系列的拒绝之后,他开始挨家挨户推销 Karnaval 品牌的地毯清洁剂。艾莉丝和“Karnaval”之间形成了不寻常的纽带。卡纳瓦尔甚至搬来与阿里斯住在一起,占据了他汽车的前排座位。在这次新的冒险中,阿里斯遇到了一位名叫德梅特的婚礼蛋糕师。自从母亲去世后,她就和父亲住在一起,梦想着骑着摩托车搬到伊斯坦布尔,在那里开一家面包店。
中世纪,一个修道院发生了一起教士莫名死亡的事件,修道院的主教遂邀请了异地的名声极好的教士William von Baskerville(肖恩·康纳利 Sean Connery 饰)和他的助手Novize Adson von Melk(克里斯汀·史莱特 Christian Slater 饰)来到修道院调查案件。William在调查中,发现他遭到了许多无形的阻挠和他人的警告,他隐约感觉到这个修道院背后的许多阴谋。更可怕的是,又有几个修道院里的人纷纷遇害,案件变得越来越扑朔迷离。William在不断深入的调查中,也越来越接近真相...... 本片根据意大利作家安倍托·艾科的同名小说改编,获1988年英国学院奖最佳男演员和最佳化装奖。
Two working class youtubers ‘in the making’ enter an abandoned mansion to get their basketball back, and get lost inside while pranking each other. They record their ‘quick adventure’ with their phones for their audience, and tweak it with a fake phantom appearance to attract more followers to their YouTube channel. When uploaded the video goes viral, so they start a challenge: if the video reaches a certain number of views, they will enter the house again, at night, alone, totally unprotected. As fans react positively, they will do as promised, not only to discover and unveil the true nature of the place and their inhabitants, but to realize they might not be among the living anymore. Which opens a question - how far would you go to be famous?
美国的考古学家戴维·威勒斯(杰森·贝瑞 Jason Barry 饰)来到爱尔兰进行考察,他对沉在沼泽内的远古僵尸颇有研究。在当地博物馆女助理塞尔丝·瑞丽(诺拉简·努恩 Nora-Jane Noone 饰)的陪同下,他们驱车外出寻找研究点。然而,一场突如其来的车祸打断了戴维的计划,他和塞尔丝来到一座猎人的小木屋,在这里遇到木屋的主人(维尼·琼斯 Vinnie Jones 饰)以及其他几名因各种原因滞留于此的路人。 与此同时,几名施工者从地下挖出一具埋藏两千年的尸体,不久,尸体神奇复活。他四处行走,对待怀有恶意的家伙毫不手软。戴维和猎人他们不慎惹到这个大家伙,一连串残酷的杀戮就此展开……
再过不久,贝茨(Tabrett Bethell 饰)和丈夫卡麦林(安迪·惠特菲尔德 Andy Whitfield 饰)就将迎来属于他们的孩子,两人完全沉浸在幸福的氛围之中。在回老家的路上,夫妻二人入住了一家汽车旅馆,而就在当天夜里,卡麦林绝望的发现大着肚子的贝茨失踪了。直觉告诉卡麦林,这一切都是旅馆搞的鬼,爱妻心切的他不顾警察的阻拦独自踏上了寻妻之路。 醒来的贝茨发现自己被困在了一间废旧的工厂里,同时,肚子上的伤口告诉她,孩子已经不知所踪。在工厂里,贝茨发现了许多和自己一样被绑架而来并且强制生产的妇女,母爱使然,她们决定团结一致,找到各自的孩子,逃出这噩梦般的地方。然而,随着行动的步步深入,贝茨发现自己似乎陷入了一个恐怖的阴谋之中。
Who really is Diabolik, the ruthless Italian comic book antihero? The final chapter of the Manetti Bros. adaptation sets out to find the answer. Taking a leap in time to the 1970s, a period of unrest marked by the Vallanzasca and Magliana gangs, student protests and street killings. The story begins with car chases and machine gun shots that leave innocent victims dead on the street. It’s not Diabolik pulling the trigger, as he has his own code of ‘professional’ ethics and only kills when necessary. Instead, it’s a gang of criminals responsible for the bloodshed, wreaking havoc in the city with gratuitous and unscrupulous violence. Captured by the gang, Diabolik and his nemesis, Inspector Ginko, find themselves locked in a cell with no way out.
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.