Em A Porta ao Lado, Rafa (Dan Ferreira) e Mari (Letícia Colin) vivem um relacionamento tranquilo e estável, monogâmico, dentro dos moldes mais tradicionais. Juntos há mais de cinco anos, os dois se acostumaram com a rotina e a monotonia da vida de casados, sem muitas aventuras. Mas quando Fred (Túlia Starling) e Isis (Bárbara Paz), um casal que vive um relacionamento aberto, se muda para o apartamento ao lado, Mari acaba sendo levada a questionar seu casamento e considerar outras formas de se relacionar. O encontro entre os dois casais provoca desejos, dúvidas e inseguranças, transformando completamente a vida dos quatro.
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman receives a news which is related with his previous passionate life. Then the whole action stats as a chain of events. He learns not only he has had a son named as a Murat, also he realizes that his son has got a enemy called as Devran for his son's relationship with a attractive and fine girl, Karaca.
NAHIR. Prime Video anunció el inicio de la producción de su nueva película Amazon Original, Nahir, que es un thriller y drama de ficción basado en uno de los casos policiacos más conmovedores de crímenes reales en Argentina en los últimos años. En 2018, Nahir Galarza, de 19 años, interpretada por Valentina Zenere (Elite, Soy Luna), se convirtió en la mujer más joven en ser condenada a cadena perpetua en el país. Fue acusada y condenada por asesinar a su novio, Fernando Pastorizzo. La historia dio un giro cuando acusó a su padre, un oficial de la policía, de ser el verdadero asesino, lo que fue rápidamente descartada por el sistema de justicia. Nahir estará disponible en Prime Video en más de 240 países y territorios a nivel mundial.
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
土耳其举重运动员奥运会冠军奈姆•苏莱曼诺古传记。
A main character of the incest movie "Gli sfiorati", in english is also known as Drifters, is Mète. He is 30 yeras old graphologist, enchanted by the secrets that can reveal the human hand. A week before father's wedding, his 17 years old stepsister moves to his Roman apartment. She is very hot and sexy teenager and the new neighborhood is now the beginning of their friendly (well, not exactly friendly) relations.
Between 1968–73, Ålandic writer Anni Blomqvist published five novels that together chronicle the life of Stormskerry Maja. A simple peasant woman whose days are long and full of hard work, Stormskerry Maja believes in God in an unassuming, humble way, and as years pass, finds herself with a small amount of independence.
For 27-year-old Ben (Josh Lawson), life couldn’t be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex (Rachael Taylor) and Jim (Ed Kavalee) in talking about their personal achievements, something goes wrong. Ben is the only speaker not to be asked a question by the school kids. This triggers a year of soulsearching and looking for answers in all the wrong places. From his best friend Andy (Christian Clark) whose solution is that they both take another holiday, to his mentor Sam (Lachy Hulme) who loans him a sports car in the belief that there’s nothing like excessive speed to resolve emotional turmoil. Not even Ben’s father (Rob Carlton) or friends Nick (Daniel Henshall) and Em (Felicity Ward) can offer much in the way of meaningful guidance. Of course, it’s not easy seeking enlightenment in nightclubs, or on the ski fields of New Zealand, and when you start dating a Russian tennis star things can get really complicated. As the poster boy for a generation desperate to tick every box, Ben begins to suspect that the meaning of life may well reside in the things he's already doing - and a girl he used to know.
Enea, Aeneas, pursues the myth that his name bears. He does it to feel alive in a dead and decadent age. He does it in the company of Valentino, a newly christened aviator. Together with the drug dealing and the parties, the two boys share their youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of the rules, on the other side of morality, there’s an ocean of humanity and symbols to discover. Enea and Valentino will soar over it to the furthest extremes. But the drugs and the underworld are the invisible shadow of a story that speaks of something else: a melancholy father, a brother who has conflicts at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a world made of glass. It is between the cracks of everyday life that Enea and Valentino’s adventure gradually finds reprieve. An adventure that may seem criminal to others, but which for them is, and will be first and foremost, an adventure of friendship and love.