性、毒品与税收

　　本片回顾北欧史上最具话题性的两大人物，由丹麦影帝尼可拉斯布洛(Nicolas Bro)與皮魯艾斯貝克(Pilou Asbak)，詮釋離經叛道的法律狂人與嬉皮資本家，他們奢侈無度的生活，互相扶持又彼此利用的微妙關係，成為空前絕後的時代象徵。　　一趟沒有規則與權威，通往自由及解放的兜風之旅！法律是他們的籌碼、女人則是他們的軍隊，挑戰社會禁忌、對抗陳舊官僚。改編自北歐震驚社會的真實事件，崇尚享樂、沉溺性愛的航空鉅亨與稅務專家好友，聯手打造全北歐最大的航空公司，滾滾而來的鈔票讓他們越發縱慾狂歡，直到遊走在法律邊緣的秘密公諸於世，兩人的合作關係和友誼蒙上巨大陰影…。　　旅遊公司老闆史派有個好鑽法律漏洞、專長逃稅和商場鬥爭的換帖好友兼個人律師吉斯托。從中小企業到富可敵國，兩人雖然有著迥異的志向和興趣，卻一直是彼此堅強而忠誠的靠山。然而，當吉斯托公開其極右派的政治主張，致使舉國譁然並引來政府關切時，史派夾在友情和自身名利之間，將如何取捨？

埃涅阿

　　Enea, Aeneas, pursues the myth that his name bears. He does it to feel alive in a dead and decadent age. He does it in the company of Valentino, a newly christened aviator. Together with the drug dealing and the parties, the two boys share their youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of the rules, on the other side of morality, there’s an ocean of humanity and symbols to discover. Enea and Valentino will soar over it to the furthest extremes. But the drugs and the underworld are the invisible shadow of a story that speaks of something else: a melancholy father, a brother who has conflicts at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a world made of glass. It is between the cracks of everyday life that Enea and Valentino’s adventure gradually finds reprieve. An adventure that may seem criminal to others, but which for them is, and will be first and foremost, an adventure of friendship and love.

圣诞梦

　　阿什莉和她的母亲苏珊是两个纽约人，她们来到意大利出售祖父母的牧场。在那里，阿什莉爱上了其中一位潜在买家，并决定与他共度一生。

绿海

安娜失去了记忆，但她并没有忘记如何做饭。一天晚上，她出现在希腊港口附近的一个工人阶级社区。在那里，她遇到了不可预测的孤独者肉卷，并在他简陋的小酒馆找到了工作和招待。在厨房里，在香料和被遗忘的古老食谱的香味中，她努力重建自己的过去。她简单而美味的食物唤醒了常客的记忆，而他们反过来又帮助她重新与自己建立联系。随后，故事发生了意想不到的转折，鲁拉突然偶然发现了“绿海”，并发现了安娜的真实身份。

世界尽头三公里

　　多瑙河的尽头有座村庄风景如画，那里的时间仿佛早已静止，民情风尚也停留在古早时光。十七岁的阿迪返乡过暑假，岂料一起暴力事件令他青春正茂的世界一夜崩塌。一场袭击，各自表述，父母、警察、债主、牧师相继介入，各怀鬼胎的威权们一边喊着哈雷路亚，一边忙不迭地将阿迪捆绑上枷。头破血流哪算什么伤，以爱之名的灵魂扼杀才是终生刺骨的疤。

黑暗之力

　　一名牧师开始对自己信仰产生怀疑，但他却不得不参与为一名少年驱魔，驱魔开始时他那个对信仰动摇的心与这场驱魔产生了一系列的连锁反应。

偷走她的呼吸

　　Virtuoso thief Laura faces her ultimate challenge: outmaneuvering relentless policewoman Maxine in a dangerous, passionate cat-and-mouse game, while a sadistic killer marks them for death.

少年禁恋

瑪格麗特（瑞秋格瑞菲斯飾演）喪子又離婚，在年輕遊民喬（貝瑞科漢）的身上得到親情般的慰藉，兩人的關係逐漸發展成曖昧情愫，但瑪格麗特的前夫和喬的幫派友人卻無法接受。

沃纳·霍特的冒险

　　Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier, but at the front Werner begins to understand the senselessness of war. When Gilbert is hanged by the SS, Werner turns his gun on his own army. This film, based on Dieter Noll's novel, is a political and artistic masterpiece. Its fresh and surprising frankness about the toll war takes on youth found great public resonance after the film's release.

爱你们的希尔德

　　A couple who fall in love and spend a joyful summer until they are captured by the Gestapo.

我的名字是什么

　　A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.

瓦莱里娅要结婚了

　　姐姐克里斯蒂娜嫁到以色列，生活幸福。妹妹瓦莱里娅也在她的撮合之下来到以色列，与通过网络婚介认识的未婚夫见面。然而，在众人相处的短短一天内，这对姐妹开始质疑起各自的选择。

公园疯人

　　Maníaco do Parque mergulha na história do maior serial killer brasileiro, o motoboy Francisco (Silvero Pereira), que foi acusado de atacar 21 mulheres, assassinando dez delas e escondendo seus corpos no Parque do Estado, em São Paulo. A história do assassino e os detalhes da sua psicopatia são revelados por Elena (Giovanna Grigio), uma repórter iniciante que enxerga na investigação dos crimes cometidos pelo maníaco a grande chance de alavancar sua carreira. Enquanto Francisco segue vivendo livre e atacando mulheres, sua fama na mídia sensacionalista cresce vertiginosamente, gerando terror na capital paulista.

嗜血袋鼠

　　讲述了年轻警官麦迪的故事，她决心继承已故父亲的遗志。当当地人被僵尸袋鼠残忍撕成碎片时，她的勇气受到了考验。当不死野兽留下大屠杀的痕迹时，麦迪在她古怪的叔叔施密蒂和坚韧的阿姨唐娜的帮助下，必须展开一场高风险的战斗来拯救这座小镇。

潜伏娇娃

　　Few years after her best friend became victim to sex trafficking, a journalist joins forces with her friend's father and uncle in order to expose the criminal network.

永向战场

　　New Zealand–born groundbreaking CNN camerawoman Margaret Moth risks it all to show the reality of war from inside the conflict, staring down danger and confronting those who perpetuate it.

旧日阴影

秘密会议2024：菲律宾版

　　卡拉是已有婚约在身的心理治疗师埃里克魅力十足的病人。她因与有伴侣的男性上床这一癖好前来寻求心理咨询。但他们并没有去解决这个问题，反而陷入了一段难以自拔的秘密恋情。

西西里来信

　　“在意大利丰富的犯罪历史中，马蒂奥·梅西纳·德纳罗和他的30年销声匿迹是独一无二的，”导演们坚持说，“多年来的调查和报道中透露出的细节，让我们有机会深入了解他神秘的性格，并揭示他隐身存在所培育的广泛关系网络。在我们的电影中，在理性的沉睡中追逐梦想的人们，最终都陷入了悲剧而荒谬的噩梦之中。”

园丁之年

一位富有的邻居对一位爱好和平的园丁实施不公正行为的真实故事，与卡雷尔·恰佩克 (Karel Čapek) 的同名文学作品相遇，该小说讲述了一位园丁一年来的艰辛和成功。导演伊日·哈维尔卡（Jiří Havelka）是我们这个时代最复杂的艺术人物之一，他早已证明“另类”和“观众友好”不一定是相互排斥的。他的悲喜剧故事静谧感人，讲述了为争取有尊严的生活的权利而进行的极其顽强的斗争，故事建立在始终杰出的奥德里奇·凯撒和达萨·沃卡塔的两场精彩表演的基础上。

口袋大力神：奈姆•苏莱曼诺古

　　土耳其举重运动员奥运会冠军奈姆•苏莱曼诺古传记。

平凡世界2 2023

　　梅尔默一家的每个成员都在各自的问题中挣扎。谢尔哈特很难让贝谷姆适应他们的新生活。谢尔哈特的生活中少了一个女人，而加赞弗则努力维持家庭的和睦。

山上的西蒙

　　「你会自己铺床吗？」西蒙摇头否定。头部不自然晃动、声称缺乏自理能力的西蒙，在山上偶遇一队身心障碍青少年，很快地与他们打成一片，还与少年潘文成为麻吉，加入了他们的特教学校。他戴上助听器，做出相仿举止，在这里找到归属。跟着潘文，他习得身心障碍者的各种本领，两人厮混、闯祸，直到中心发现西蒙根本没有身心障碍证明文件⋯⋯

街头废物

　　A group of homeless misfits must fight for survival when they discover a plot to exterminate every homeless person in the city.

加沙天台

　　The year is 1989. In an era of Palestinian demands for independence, the State of Israel sends young soldiers to oversee the Arab population in the Occupied Territories. After one of them is killed, the common fate of four young soldiers and one Palestinian family is sealed. The film describes the extraordinary journey of a young soldier trying to find his place in the chaos surrounding him.

失序迷踪

　　哈坎和Nihal已经结婚很多年了。 在他们发现 Nihal无法生育之后不久，她就突然消失了。 在疯狂寻找她的同时，哈坎发现了一些关于他自己和他们婚姻的痛苦经历。 他必须面对自己内心的魔鬼，及探索在妻子身上发生了什么。

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

杀死骑师

　　雷莫·曼弗雷迪尼是一位传奇骑师，但他的自我毁灭行为开始盖过他的才华，并威胁到他与女友阿布拉尔的关系。在他职业生涯中最重要的比赛当天，他遭遇了一场严重事故，而这场比赛本可使他还清对黑帮老板西雷纳的债务。雷莫之后从医院消失，游荡在布宜诺斯艾利斯的街头。他摆脱了自己的身份，开始发现自己真正应该成为的样子。但是西雷纳想要找到他，不论死活。

最后12天

　　故事围绕卡米尔和丹尼尔展开，这对年轻夫妇在爱情和疾病的复杂关系中摸索前行。当丹尼尔面临危及生命的健康危机时，他们的关系被推向了极限，暴露了他们最深的恐惧和脆弱，同时也凸显了他们之间牢不可破的联系。—机智的杰克

超完美地狱

　　对于年过不惑的安德里亚斯（Trond Fausa Aurvaag斯荣德•福斯•奥瓦格 饰）来说，人生似乎在没有什么值得留恋的了，他选择结束自己的生命。他的灵魂乘坐巴士来到一片平静的土地，这里与人间没有什么区别，而且更加平和安宁。　　人生仿佛重头开始，安德里亚斯得到一幢舒适的别墅和一份安逸的工作，生活没有压力，很快与周围的人打成一片，并且结识了美丽的室内设计师安妮•碧特（Petronella Barker 饰）。生活惬意，饮食无忧。　　但是没有痛苦的世界却也缺少活着的感觉，安德里亚斯再次想到自杀，却发现死亡如今已成为奢望……