历经严酷考验,阿伦戴尔王国终于回归往日平静。艾莎女王(伊迪娜·门泽尔 Idina Menzel 配音)、安娜公主(克里斯汀·贝尔 Kristen Bell 配音)以及他们的好友雪宝(乔什·加德 Josh Gad 配音)、克里斯托弗(乔纳森·格罗夫 Jonathan Groff 配音)、驯鹿斯文过着平静安逸的生活。可是最近一段时间,艾莎总会被一段神秘的吟唱所困扰,为了追寻真相,她义无反顾踏上了征途。担心姐姐的安全,安娜和雪宝、克里斯托弗他们紧紧跟随。在那座常年被浓雾所笼罩的森林里,不仅藏着神秘的自然力量,更隐藏着关于阿伦戴尔王国、艾莎的魔法来源以及两位公主父母丧生等一系列的秘密。 艾莎开启了一段寻找自我的旅程……
Calvin Carter, a successful business executive, has it all, but neglects those closest to him. On Christmas Eve, all that changes when the sign on his office building falls on him. He awakes in a hospital bed, attended to by Angie, a nurse who soon lets him know he has 12 days (12 chances) to get his act together and achieve the "perfect" Christmas Eve. If he doesn't, there will be dire consequences.
《感恩节杀戮3》:奇葩小片的二度恶搞 还记得2009年那部奇葩小片《感恩节杀戮》吗?那个长了一张鸟嘴的神似火鸡的怪物,会开车会砍人还奸杀了一个妹子的这只怪物在2009年的感恩节里可拉风了一把。今年感恩节它又踏着《感恩节杀戮3》杀回来了,近期曝光的这支限制级预告片里,火鸡怪人举着电锯“火眼金睛”凶神恶煞有没有让你闻风丧胆?! 很多影迷都会疑惑,从1直接跳到3,那《感恩节杀戮2》去哪了?看了这支预告片你就会恍然大悟,因为那火焰中焚烧的若隐若现的物料,显然是一张封套上写着《感恩节杀戮2》的DVD,正如片中的火鸡怪人一本正经说的:“《感恩节杀戮2》被毁了”,所以你可以想象,《感恩节杀戮3》就是一部典型的怪鸡恶搞片。在带感的电子乐配合下,各种稀奇古怪的人物怪物悉数登场,真人与粘土动画混搭,即使喷溅血浆也毫无恐怖感,就像一场疯狂的末世狂欢大趴体,而结尾火鸡怪人像素图案的出现,又很有九十年代电子游戏的感觉。总之,这支预告片或许与电影本身是一个路数——无逻辑可言,从头至尾都将散发着一股怪异的调调。 《感恩节杀戮3》依然由前作导演Jordan Downey执导,Christina Blevins、Jordan Downey、Jeffery A. Baker等人出演,已于今年11月1日上映。
Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s troubling decisions.
A couple hires a live-in nanny to watch the offspring while they work. At first, everything goes perfectly, but when an unsafe incident means the parents no longer want the nanny around, they find out this nanny is savvy at not being evicted from her live-in situation. So savvy, in fact, that she can make these parents' lives a true nightmare.
杰特和他的朋友们很高兴去太空营,但太阳黑子却因过敏反应而开始萎缩。一艘假宇宙飞船的引擎失灵导致孩子们被带到外太空,他们必须去遥远的马斯卡彭星球寻找治疗太阳黑子萎缩的药物
The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
剧情 Bettie Page是上世纪五十年代最有名的海报女郎,性感而疯狂,以一身SM装扮闻名,记得ZIPPO也出过一系列印有她图案的火机。这位广告封面女神风靡了整个美国1950年代,是美国最早的女性偶像之一。她的风情身姿、挑逗眼神遍布明信片、扑克牌和唱片封套,《花花公子》中插页的大胆照片更是激起每个男子的无限幻想。虽然出身虔诚天主教家庭,但这毫不影响她在民风保守的五零年代就大胆地拍摄性虐与同性恋写真集,其影响所及甚至惊动国会掀起全面调查风波。 幕后 说起导演玛丽·哈伦,人们也许还对几年前她编导的《美国精神病人》(American Psycho)记忆犹新,这部被美国电影协会定为NC-17级的影片以其惊悚恐怖的氛围、辛辣的黑色讽刺意味在当时掀起轩然大波。影片中残忍的血腥屠杀与杀手的冷血变态让许多人一度再也不敢深夜里出来闲逛。此次,玛丽·哈伦带来《大名鼎鼎的贝蒂·佩吉》不禁让人心生期待。 午夜的黑暗与白昼的光芒如一体两面般集于一身,贝蒂·佩吉是时尚界的一个传奇。她出身于美国田纳西州一个保守派家庭,正如每个邻家女孩一样的甜美,但是命运把她带到了照相机前聚光灯下,让她迷惑住所有人的眼睛。而参议院的调查则反效果的把贝蒂推上全美的情色偶像之位。成千上万的人疯狂地追随模仿她的一切,深色皮肤、黑色头发、前卷刘海,直到她神秘的消失。观众尽可以在玛丽·哈伦的引导下回溯过去,欣赏这个安静羞赧的南部女孩如何在镜头前与美国大众分享她的半裸身体。当然,影片不会仅止于此。贝蒂的生活点滴和模特生涯透射的是导演对1950年代的性问题、宗教及流行文化的独特诠释,是那个已然逝去但依稀仍存的过去的美国。想怀旧?那么来吧。
Millers in Marriage follows Eve Miller, the former lead singer-songwriter of an indie rock band, who finds herself drawn to a music journalist amid a toxic marriage. Meanwhile, Eve’s sister Maggie, a bestselling author, is encountering challenges in her marriage of 30 years as her career surpasses her husband’s. At the same time, Renee, a recently divorced successful fashion executive, is navigating a budding relationship with Andy Miller, an artist who is juggling his feelings for Renee and his recently separated wife Tina, Renee’s former colleague.
On a remote wooded island, a young woman becomes caretaker to an old man in a vegetative state. She has no cell signal, no Internet. Only a year removed from high school and forced to meet the needs of a man who cannot respond, Joslyn vacillates between finding solace in his company and feeling fear and anger towards him. As the monotony of daily routine starts to unravel, boundaries collapse and Joslyn struggles with sexuality, guilt and loss.