电影筛选Runa, a 16-year-old Kurdish girl, escaped from Iraq to avoid the attacks of ISIS. Together with her family, she had been stuck on the Polish-Belorussian border before she eventually arrived in Poland. She had to grow up at an accelerated speed – after her mother’s death she became the head of her family. Now, she needs to take care of her four younger brothers and father, who cannot cope with the mounting difficulties. The film follows their uncertain fate, but gives a prominence to the portrayal of the teenager, an ordinary and extraordinary girl at the same time. Thanks to her animated drawings, the audience can discover more about her. The film is presented in the national and international competitions.
In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.
A sequel to the smash hit
Colombian music icon Juanes plays Moisés, the eldest of three brothers plying this perilous trade and the linchpin of the operation, while Alberto Guerra delivers a compelling performance as Ulises, a man paralyzed by conflicting decisions and haunted by fear and grief. When Juan (Alejandro Speitzer) — the youngest of the brothers — is coerced into working for a more powerful, rival criminal organization, the shocking underbelly of the business is laid bare and there are tragic consequences.
根据传说，白狮是神的使者。当白狮子进入该山谷，一个年轻的人发现自己要不惜一切代价来保护白狮子。(文/moviereleased) According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs...
The story is carried by Mady, student by day, locksmith by night. But Claire, the enigmatic young woman she is helping out one night, isn’t what she seems to be. This door isn’t that of her apartment. And the bag she wants to recover at all costs isn’t hers, but Yannick’s, a man whose questions Mady will have to answer to. Caught in a hellish race, Mady only has one night to prove her innocence in a bustling city. One night to save her own skin.
洛伦佐（雅各波•奥尔莫•安蒂诺里 Jacopo Olmo Antinori 饰）是一个内心细腻而又敏感的14岁男孩，成长在一个不幸福的家庭之中的他非常讨厌社交，因此，当学校决定举行滑雪活动后，洛伦佐选择了躲进地下室，在一个星期的时间里，洛伦佐将享受没有任何人打扰他的幸福生活，他可以尽情的和自己喜欢的音乐、书籍、游戏呆在一起。 让洛伦佐没有想到的是，同父异母的姐姐奥莉薇娅（泰娅•法尔科 Tea Falco 饰）的出现彻底打破了他对于未来一个礼拜的甜蜜幻想。这个做事从来不按照常理出牌的女人就这么大大咧咧的闯入洛伦佐的私人空间之中，但是，这一次被迫的相处，也让洛伦佐对于他的姐姐，甚至是他的人生有了新的见解。
Öznur is a young and beautiful woman. She has had a platonic love since childhood to Kudret, who is her cousin. Kudret, however, is married to a woman named Nisa and is very happy. Jealous, Öznur uses terrible black magic to change this so that she and Kudret will be together. However, she is not prepared for the evil that this spell unleashes.
美国的考古学家戴维·威勒斯（杰森·贝瑞 Jason Barry 饰）来到爱尔兰进行考察，他对沉在沼泽内的远古僵尸颇有研究。在当地博物馆女助理塞尔丝·瑞丽（诺拉简·努恩 Nora-Jane Noone 饰）的陪同下，他们驱车外出寻找研究点。然而，一场突如其来的车祸打断了戴维的计划，他和塞尔丝来到一座猎人的小木屋，在这里遇到木屋的主人（维尼·琼斯 Vinnie Jones 饰）以及其他几名因各种原因滞留于此的路人。 与此同时，几名施工者从地下挖出一具埋藏两千年的尸体，不久，尸体神奇复活。他四处行走，对待怀有恶意的家伙毫不手软。戴维和猎人他们不慎惹到这个大家伙，一连串残酷的杀戮就此展开……
Alice (Kristanna Loken) is a ghostwriter for a famous bestselling author. She is half through the work of the his new book, but cannot write anymore. A year before she has had a terrible accident in Malta where she was staying with her husband Max (Antonio Cupo) in his family villa and she was in a coma for two weeks. On waking up she had lost part of her memory and has no recollection of the accident and her stay in Malta. Since then, she has been suffering from depression and has recurrent and cryptic nightmares. Max who is her agent as well persuades her to go back to Malta hoping that something will unblock her mind so she can start working again and meet the last delivery deadline the publisher has given her. In the beautiful Maltese villa surrounded by lemon trees, they are welcomed by a stunning Mediterranean girl Sara (Sarai Givaty) Max has hired to help around the house. the girl immediately establishes a friendship and trust with Alice. Two different women, one sensual and self-assured, the other mysterious and insecure... In the meantime, another stranger Castellano (Giulio Berruti) is snooping around the villa, spying Sara, talking to Alice and exchanging items with a local policeman. Are ours characters really who we think they are? Is there a different version of the truth ?All is about to be seen ...
人们总是难以抗拒《忧郁星期天》的悲伤情调，原来这首歌与一段复杂凄美的爱情故事有关。上世纪30年代的匈牙利首都布达佩斯的一个餐馆里，美丽的伊洛娜（艾丽卡·莫露珊 Erika Marozsán 饰）同时被两个男人深爱着。一个是餐厅老板，另一个是钢琴师。三个人都并不愿意改变现况，打破平衡，伊洛娜同时拥有两个男人的爱而深感平静幸福。钢琴师为她创作出《忧郁星期天》，他和餐厅也因此一举成名。 然而，汉斯的出现彻底毁灭了这一切。他曾经是一个无名小子，深深迷上《忧郁星期天》 的同时，更是成为伊洛娜的裙下之臣。汉斯向伊洛娜求婚，却被拒绝，满腔恨意的他如今成了军官，风光无限，正带着他蓄谋已久的复仇计划来到伊洛娜身边，给他们的生活以致命一击。爱、复仇与战争的故事，在布达佩斯纠结上演。
Piotr Czarny is a charming thirty-something lawyer. He is constantly chasing adrenaline, women and parties. His goal was to fill the list of mistresses with names for every letter of the alphabet. His plan is put in jeopardy when a colleague, Olga - the only woman he's completely honest with and doesn't sleep with - gives him an ultimatum.
本片是费拉里对现代社会文明和小家庭中男子的作用的最新探讨的成果。工程师热拉尔德被妻子抛弃了，并把小儿子皮耶罗特留给了他。当工厂宣布休假时，他把保姆当作情人；在短短的时间内，他重新经受了令人伤脑筋的以两性斗争为特点的两人关系发展的全过程。热拉尔德完全被以性交为表现的男性意识所支配。当他同情人的关系发生危机时，他的情人却和他的前妻成了好朋友。他出于抗议和绝望用一把厨房用的电锯把自己的生殖器割掉了。这个可以作为模式的事件的大部分 (就象在戏剧舞台上一样)发生在一套高层小公寓里。费拉里批判了他的主人公的大男子主义，同时也表现了由于生活(工作，住宅，千篇一律的生活秩序，孤独寂寞)造成的绝望和灰心丧气。如果说影片留下了一种相互矛盾的印象，那是由于影片以独特的方式提出了问题：这个男人是他的行为的牺牲品，也是妇女全面反抗的牺牲品；费拉里在这部影片中同样使用了多种手法，而且通过一些“煽动性"的细节和效果来吸引更多的观众。
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