Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier, but at the front Werner begins to understand the senselessness of war. When Gilbert is hanged by the SS, Werner turns his gun on his own army. This film, based on Dieter Noll's novel, is a political and artistic masterpiece. Its fresh and surprising frankness about the toll war takes on youth found great public resonance after the film's release.
根据传说,白狮是神的使者。当白狮子进入该山谷,一个年轻的人发现自己要不惜一切代价来保护白狮子。(文/moviereleased) According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs...
富有的中年人M结束出差准备回国,在机场,他目睹了一位年轻的阿拉伯男子在安检时引发的纷争。在一场无关紧要的争吵后,M一路跟随着这位年轻人,并在飞行过程中警觉地观察着他的一举一动。年轻人很快注意到M的行为,挑衅地看着他,神秘低语“你什么也没错过!” 一系列令人不安的事件接踵而至。M变得疑神疑鬼,疑心他的生活里存在着一个更大的阴谋。他怀疑年轻人在跟踪他,甚至可能入侵了家里的安防系统,这一切让他安全感尽失。在浏览阴谋论网站时,他对自身危险的处境和脆弱的社会秩序变得深信不疑。 M的女朋友认为他的疑虑实在是大惊小怪,并意识到两人的关系已经走入虚无。一位同事和M有同样的顾虑,却更担心M自己的行为。M决定直面日益严峻的威胁。他坚信恶魔在夜晚现身。于是他设下陷阱,决心迎接他认为即将降临的危险。
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷(代表作《双重特工》)创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景,融合了地缘政治、爵士音乐、冷战阴谋和殖民实践,是一部爆炸性的混合体。片中既有详尽的研究和数据,又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时,影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏,浑然不知他们不过是中情局阴谋的幌子。最终,这部影片充满了音乐和电影能量,同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
A young girl stays with her estranged grandparents in the city while she waits for the results of her audition for an international performance group. Her grandparents welcome her, delighted about the chance to get to know their granddaughter better. While staying at the house, the girl gets to know her uncle, who suffers from a mysterious long-term lung illness and is mainly confined to bed. She also observes her grandmother's weird religious rituals, some involving a swimming pool in the basement. When the girl's father finds out that she is staying with his parents, he persuades his sister to visit the house to get her out, ending with a terrible tragedy.
The film comprises six interconnected stories, one of them co-written with actress-screenwriter Iulia Lumânare. Interestingly, the feature recycles (and completes) The Christmas Gift and another, unreleased short film, New Year’s Eve. One of the protagonists is Ştefan Silvestru, the director of the national television station, who has to deal with a career-ending issue: an actress who appeared in a sketch to be broadcast on New Year’s Eve has defected the country. Silvestru’s son, Laurenţiu, who plans to defect by swimming across the Danube to Yugoslavia, is the protagonist of another story, all six of them exploring the atmosphere in Bucharest before the “end of the world”, or the fall of the regime.
我们再次见到了这两对夫妇:塞西莉和安德烈亚斯,以及他们的儿子利奥,丽芙和马尔特,以及他们的女儿西尔。两个孩子现在都两岁了,家人仍然保持联系,但过着截然不同的生活。在体检中发现,这两个婴儿从未被交换过。震惊平息后,两家人决定搬到安德烈亚斯和塞西莉的集体住处,这样双方父母就可以每天和两个孩子在一起。然而,很快,夫妻俩对生活方式、装饰、饮食习惯和养育方法的截然不同的看法就变得明显,两个家庭努力生活在同一屋檐下。塞西莉对她的亲生女儿西尔的感情比对利奥的感情要深得多,她决定背着其他三位父母寻求西尔的监护权。塞西莉意识到自己做错了,但为时已晚,她的自私计划也暴露无遗。集体分崩离析,丽芙和马尔特带着西尔离开,塞西莉现在必须努力争取
A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
It’s year 2147, men are sterile due to a virus leaving humankind almost extinct and Tania, a biologist, is trying to inseminate herself to prevent this with the help of an AI system called VIDA (voice by Paz Vega, reminiscent of MOON or of course 2001). Things take a turn when Azarias, one of the last men and a traveller with a dark past, suddenly appears.