Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家,由 JSC 派往布鲁塞尔,到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓,要求透露有关罗杰的信息,并准备离开该国。蒂尔达试图劝阻她,但无济于事。蒂尔达只能自谋生路,她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上,彼得·奎尔强迫她靠边停车,他自称是军情六处。他警告她,俄罗斯未来打算重新占领爱沙尼亚,以及为什么该国对欧盟安全至关重要。
当导演瓦伦丁突然消失时,剧组正在拍摄一部放荡的化装电影。在当地警方调查期间,电影拍摄仍在继续,但出现了一个奇怪的转折。罗宾,摄影师兼导演的情人,遵守着一个诺言。
在90年代的阿根廷,一名高中生被谋杀印发了大规模抗议。在这部纪录片中,她的亲人重新讲述了此事件,以及她们追求正义而做出的努力
Between 1968–73, Ålandic writer Anni Blomqvist published five novels that together chronicle the life of Stormskerry Maja. A simple peasant woman whose days are long and full of hard work, Stormskerry Maja believes in God in an unassuming, humble way, and as years pass, finds herself with a small amount of independence.
It’s year 2147, men are sterile due to a virus leaving humankind almost extinct and Tania, a biologist, is trying to inseminate herself to prevent this with the help of an AI system called VIDA (voice by Paz Vega, reminiscent of MOON or of course 2001). Things take a turn when Azarias, one of the last men and a traveller with a dark past, suddenly appears.
In this suspense drama, three men – Alex, Greger and Henrik – spend an extended weekend in a remote cabin, intending to hunt deep in the Swedish woods. Their plan is to go duck hunting on a lake and stalk deer in the woods. An initial spell of hunting success sharpens their instincts and stirs a sense of rivalry. But one day all animals vanish without a trace and the forest turns eerily quiet. Yet the men are determined to continue the hunt.
TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.
号称世界上最危险的城市——巴西里约热内卢,警匪枪战时有发生。恶徒肆意横行,死亡如同家常便饭,甚至警匪沆瀣一气,危害城市。但就在这个混乱所在,却有一支刚正严明的部队横空出世。特别警察军事行动部队(Special Police Operation Battalion)凭借其果敢凶狠的办案作风而令匪徒闻风丧胆。 时1997年,教皇即将来此视察,高层要求纳斯西蒙(Wagner Moura 饰)所率领的这支精英部队在最短时间内肃清贫民窟内的毒品链。厌倦刀光血影的纳斯西蒙将心思放在了妻子和尚未出世的婴儿身上,他将任务交给了两个热血且充满理想的年青人——内图(Caio Junqueira 饰)和马提阿斯(André Ramiro 饰)。他们俩都不满警察队伍的腐败,决心在精英部队中大展身手…… 本片荣获2008年柏林国际电影节金熊奖。
The five most ruthless torturers of Pinochet’s dictatorship are serving out sentences amounting to several hundred years in a luxury prison at the foot of the Andes. The place has a pool, gardens and aviaries where they are watched over by guards who feel more like their employees. When one of the inmates gives a TV interview, his declarations fuel an unexpected backlash. The fear of a possible move will make the men do everything in their power to stay put, unraveling the delirium and the violence.
亚当(马丁·巴赫 Martin Buch 饰)和妻子结婚多年,两人之间的感情早就已经被时间消磨的所剩无几。一天,亚当听闻了有一家换妻俱乐部,于是决定去探访一番,以找回往日的激情。在俱乐部里,亚当邂逅了名为派翠西亚(娜塔莉·玛杜诺 Natalie Madueño 饰)的美丽女子,被她迷得神魂颠倒。 派翠西亚和男友帕特里克(埃米尔·伯克·哈特曼 Emil Birk Hartmann 饰)一起来到俱乐部,两人为的就是寻求刺激。这一对俊男靓女自然受到俱乐部里其他成员的追捧,然而,帕翠西亚却发现,相比起女人,自己的男友似乎对男人更感兴趣。腰缠万贯的富豪杨恩(拉斯马斯·伯托夫特 Rasmus Botoft 饰)和太太也来到了俱乐部中,想不到这疯狂的举动却让他们找回了曾经的真心。
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.