中世纪,一个修道院发生了一起教士莫名死亡的事件,修道院的主教遂邀请了异地的名声极好的教士William von Baskerville(肖恩·康纳利 Sean Connery 饰)和他的助手Novize Adson von Melk(克里斯汀·史莱特 Christian Slater 饰)来到修道院调查案件。William在调查中,发现他遭到了许多无形的阻挠和他人的警告,他隐约感觉到这个修道院背后的许多阴谋。更可怕的是,又有几个修道院里的人纷纷遇害,案件变得越来越扑朔迷离。William在不断深入的调查中,也越来越接近真相...... 本片根据意大利作家安倍托·艾科的同名小说改编,获1988年英国学院奖最佳男演员和最佳化装奖。
In a post-apocalyptic adventure in the Swedish archipelago, a science team struggles to find a way to protect the few surviving humans from a lethal mushroom organism. Forced on a journey through the wilderness to find a new bunker in which to continue their research, they come into conflict with an armed gang that uses a drug to delay the effects of the organism. The scientists want to find a more permanent solution, and have to fight for the very survival of humanity.
弗洛瑞恩(托拜西·宣克 Tobias Schenke 饰)是一个单纯懵懂的少年,刚刚步入青春期的他对于异性几乎一窍不通,可他周围的同学们都已经在“蠢蠢欲动”了。一次偶然中,弗洛瑞恩的“小弟弟”竟然开口说话了,在震惊之中,“小弟弟”告诉弗洛瑞恩,它希望弗洛瑞恩能帮自己找个伴儿。 弗洛瑞恩将自己的传奇经历说给了同伴们听,可是没有人相信他的话,毕竟,“小弟弟”会说话可不是什么天天都会发生的寻常事,在这些嘲笑弗洛瑞恩的同伴里,红牛(Axel Stein 饰)是个例外,他不仅相信了弗洛瑞恩,更对他充满了羡慕。性感热辣的莱欧妮(米娜·唐德 Mina Tander 饰)找到弗洛瑞恩,拜托他去她家帮她背台词,如此大好的机会,弗洛瑞恩和他的“小弟弟”怎么可能轻易放过呢?
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
新品种少女学。女孩艾玛有点色,色情电话来谈心,老板到老友,男女都可以,异想世界中通通恋上 我的床,直到白马王子咚咚来,一个「擦枪走火」,从此引发好姊妹之间战火。当整个小镇与我为敌。 身体乍萌的战慄与微微的迷惑。女孩之间转瞬变脸合纵连横的複杂关系,清新又坦荡,越要爱越要作 。 追忆起那些汤汤水水的甜蜜事儿。青春微色,微涩。 少女情怀总是湿。新世代少女站出来,导演雅妮克贾考森重写成长电影系谱,让鸡汤变清水,欲望可 以很混浊也能很纯净,直触成长不可言说之蕊心,亲情友情爱情层次分明一次到位,还有激情和恋情, 浑然天成毫不造作。荣获翠贝卡影展最佳剧本奖。每个女人心里都住著一位少女。每个少女心头都该 有这部青春映画。
The film comprises six interconnected stories, one of them co-written with actress-screenwriter Iulia Lumânare. Interestingly, the feature recycles (and completes) The Christmas Gift and another, unreleased short film, New Year’s Eve. One of the protagonists is Ştefan Silvestru, the director of the national television station, who has to deal with a career-ending issue: an actress who appeared in a sketch to be broadcast on New Year’s Eve has defected the country. Silvestru’s son, Laurenţiu, who plans to defect by swimming across the Danube to Yugoslavia, is the protagonist of another story, all six of them exploring the atmosphere in Bucharest before the “end of the world”, or the fall of the regime.
Yura, working at a local nature museum, looking for a rare species, witnesses an arson in the forest. He brings the photos to a local newspaper, and gets a job there. With his new profession it dawns to him that the reality around him is a far cry from what is written in the newspaper.
Runa, a 16-year-old Kurdish girl, escaped from Iraq to avoid the attacks of ISIS. Together with her family, she had been stuck on the Polish-Belorussian border before she eventually arrived in Poland. She had to grow up at an accelerated speed – after her mother’s death she became the head of her family. Now, she needs to take care of her four younger brothers and father, who cannot cope with the mounting difficulties. The film follows their uncertain fate, but gives a prominence to the portrayal of the teenager, an ordinary and extraordinary girl at the same time. Thanks to her animated drawings, the audience can discover more about her. The film is presented in the national and international competitions.
本片回顾北欧史上最具话题性的两大人物,由丹麦影帝尼可拉斯布洛(Nicolas Bro)與皮魯艾斯貝克(Pilou Asbak),詮釋離經叛道的法律狂人與嬉皮資本家,他們奢侈無度的生活,互相扶持又彼此利用的微妙關係,成為空前絕後的時代象徵。 一趟沒有規則與權威,通往自由及解放的兜風之旅!法律是他們的籌碼、女人則是他們的軍隊,挑戰社會禁忌、對抗陳舊官僚。改編自北歐震驚社會的真實事件,崇尚享樂、沉溺性愛的航空鉅亨與稅務專家好友,聯手打造全北歐最大的航空公司,滾滾而來的鈔票讓他們越發縱慾狂歡,直到遊走在法律邊緣的秘密公諸於世,兩人的合作關係和友誼蒙上巨大陰影…。 旅遊公司老闆史派有個好鑽法律漏洞、專長逃稅和商場鬥爭的換帖好友兼個人律師吉斯托。從中小企業到富可敵國,兩人雖然有著迥異的志向和興趣,卻一直是彼此堅強而忠誠的靠山。然而,當吉斯托公開其極右派的政治主張,致使舉國譁然並引來政府關切時,史派夾在友情和自身名利之間,將如何取捨?
The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.