16世纪,阿育达耶(Ayudhaya)王国的国王Maha Thammaracha的儿子Naresuan被抓到Hongsawadee(现在的缅甸)作为了人质,并在那里成长。1571年回到故土的Naresuan凭借他出色的领导能力打下了阿育达耶(Ayudhaya)王国新的基石。但是Hongsawadee的新国王Nandabayin虎视眈眈的注视着Naresuan,并想除掉他。1590年,Naresuan父王去世后顺利的登上了王的位置,并宣布阿育达耶(Ayudhaya)王国的独立,向Hongsawadee宣战。 Naresuan国王是泰国人最尊敬的伟大的国王,他的事迹广为传说。影片《纳瑞宣国王》描写了泰国最具传奇色彩的国王的一生故事,导演查崔查勒姆·尧克尔(Chatrichalerm Yukol)以他出色的执导能力述说了一段纳瑞宣国王的传奇一生。
《班亚和蕾雨》是一部在泰国东北部拍摄的乡村儿童片,全片演员均为当地村民,对白采用东北部方言。 班亚是一个住在泰国东北部农村里的孩子,他很会唱歌,于是和他的小伙伴们建立了一个乡村歌曲小乐团,并希望能在府里举办的演唱比赛中拔得头筹。蕾雨是一个胖胖的乡下姑娘,也是班亚的同学。她性格强悍,敢说敢做,是学校里的风云人物,也是男孩们眼中的男人婆,更是老师家长眼中令人头痛的问题女孩。她嘴里不说,心里却悄悄喜欢班亚。有一天,学校迎来了从曼谷远道而来的朋友们。这些白白美美干干净净的城里孩子,尤其是其中最漂亮的女孩,让从小生活在农村的班亚看得目瞪口呆。蕾雨醋意大发,把气撒在班亚身上,而她自己却渐渐感受到了前所未有的迷惘……
Six Characters is possibly the most highly anticipated Thai film this year, not least of all for its star-studded cast. On a shooting set filled with tension, a nervous director (Mario Maurer) tries to shoot a horror movie. The willful cast of actors is no help. Meanwhile, six strangers suddenly appear who tell their story, explaining that they are the characters of the script left by a dead screenwriter. The director laughs at the strangers at first but eventually begins to get carried away by the compelling family story they tell. Director M.L. Bhandevanov Devakula, who also visited Busan in 2011 with Eternity, is a director who is talented depicting eroticism with intense emotions as well as adaptation as in the Jan Dara series. Six Characters, an adaptation of Italian playwriter Luigi Pirandello′s Six Characters in Search of an Author, spotlights the director’s strengths and vision.
高速公路:琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候,一股邪恶力量正在威胁她的生命。 一夜情:谭是一个绘画修复者,喜欢参加各种派对和夜店。一天,谭遇见了一个神秘、性感的女人娜潘,并对她一见钟情。第二天凌晨三点钟,他找到娜潘并跟随她到她家。这个女人究竟是谁? 电视直销:山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件,想要报复一下这个自大的导演。凌晨三点钟,导演助理欧接到了山姆女朋友的电话,她打电话来是告诉他,山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们,但是没人相信他的话。这时,所有灯瞬间熄灭,恶作剧开始了……
2013年新年将至,盘桓在国际大都会美国纽约的三个泰国小青年:藏着诸多秘密的小碧(Jarinporn Joonkiat 饰)、超级啃老族杰克(Pachara Chirathivat 饰)、风骚贱格追逐物欲的小潘(Pattarasaya Kreuasuwansri 饰)无聊头顶,决定在租住的公寓内好好狂欢一下。杰克从隔壁的吸毒分子那里找到毒贩子残缺的电话号码,并最终联系上了癫狂多话的贩毒佬黑苏斯(David Asavanond 饰)。夜幕降临,黑苏斯带来的毒品让三个人high翻天,他们围坐一起说着无聊且有些残忍的笑话。感觉到气氛有些不对,三人决定快点付钱送走黑苏斯,却意外发现这个家伙似乎并非他们要找的毒贩子。 可是一切为时过晚,疯狂的黑苏斯即将对他们展开恶梦一般的大审判……
You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
普朗(波莉雀娅·彭娜妮可 Preechaya Pongthananikorn 饰)是一名英语老师,她的一名学生想和男友吉姆(Sunny Suwanmethanon 饰)分手,于是用英文录了一段分手宣言,拜托普朗播放给吉姆听。哪想到伤心欲绝的吉姆竟然将过错怪罪到了普朗的头上,他觉得正是因为普朗教了女友英语,女友才会弃他而去。 时隔不久,吉姆再度找到了普朗,这一次,他竟然请求普朗教他英语,因为他想要出国挽回女友,于是,两人成为了师生。在相处的过程中,普朗发现了吉姆的善良和坚强,对他渐渐产生了好感,吉姆亦然,与此同时,一位名叫普雷克(Popetorn Soonthornyanakij 饰)的富有商人亦在热烈的追求着普朗。夹在两个男人中间,普朗会做出怎样的选择?
麦特(琵雅妲·沃拉慕斯 Pok Piyatida Woramusik 饰)的丈夫很早就去世了,留下了幼小的儿子阿坦(吉拉宇·唐思苏克 James Jirayu Tangsrisuk 饰)需要麦特独自一人抚养长大。为了生存,麦特吃尽了苦头,所幸得到了一直钟情于她的马特(加亚纳马·诺帕柴 Jayanama Nopachai 饰)的支持和帮助,最终将阿坦培养成为了一名正直有为的青年。 然而,母亲无微不至的关心的照料令阿坦感到窒息,随着年龄的增长,阿坦和母亲之间的隔阂越来越深,两人渐行渐远,与此同时,阿坦结识了名为阿君(贾琳珀恩·朱凯特 Jarinporn Jookiat 饰)的女子,开朗活泼的阿君犹如一道阳光照进了阿坦阴霾的世界,亦使得阿坦和母亲重新接受了彼此。
After settling down together and only being separated in death during the Ayutthaya era (1351-1767 CE), Dej and Karaket are reborn in the early Rattanakosin period (1782-1855 CE). But there is only one of them who still believes in ‘destiny’. Bhop, a chief engineer with the sweetest smile in Siam, has been seeing the same lady in his dreams for many years. He believes wholeheartedly that she is his destined soulmate. When Bhop meets Gaysorn who looks exactly like the girl in his dreams, Bhop follows her around, trying to win her heart. However, Gaysorn has a progressive attitude and does not believe in destiny. Gaysorn clearly expresses that she dislikes Bhop, but she is interested in Mathus, a Thai-Western man who uses strange slang when speaking, which happens to match the messages in an old journal of Lady Karaket. Did Mathus travel back in time from the future like Lady Karaket?! Their relationships have not been figured out, yet when Bhop, Gaysorn, and Mathus get caught up in a chaotic historical event, things get out of hand and could lead to a war that will change history forever. Where will destiny lead them?
"The One Hundred" tells the story of a young woman who has just returned from a foreign country. She has to stay at a hotel to quarantine, but then suddenly comes across a monster that can change its shape in a variety of ways, according to the individual that this monster possesses. The concept of the story was inspired by the story of Battambang which was told during the reign of King Rama V.
10 岁的阿捷(查理•哲华 Chalee Trirat)和奈娜(霍嘉丝•芝华顾 Focus Jeerakul 饰)是一对青梅竹马的好朋友,两人同样身为理发师的父亲虽然老死不相往来,但这两个小家伙却每天都在一起玩耍。清秀的阿捷热衷和奈娜玩一些女孩子的游戏,这也招致小霸王吉扎(查郎谱•狄锦邦提哇旺 Chaleumpol Tikumpornteerawong 饰)等人的嘲笑。男孩的心中都有一份倔强和不甘,阿捷为此狠下心和奈娜决裂,两个好友从此不再见面。阿捷随着吉扎他们来到男孩的世界尽情玩耍,却不知自己的青梅竹马正要举家搬到另一个地方…… 本片荣获2004年上海国际电影节最佳导演奖、2004年泰国影评人协会最佳导演和最佳男配角奖(Chaleumpol Tikumpornteerawong)。
Sorn, an ethnic Shan sex worker, copes with his bitter reality in Chiang Mai, Thailand by imagining himself in his clients’ lives. He is drawn into a complex relationship with one client, a police officer investigating a political activist, even as he tries to build a future of his own as a refugee far from home.