Pablo’s life is ruled by drugs and by the intense and oppressive relationship he has with his mother, a former cocaine mule who escaped from Colombia and with whom he shares a small house in the outskirts of Rome. After her death, following her relapse into drug addiction caused by his emotional involvement with a young Colombian girl mixed up in the smuggling ring, Pablo’s guilt pushes him to try and bring her ashes back to Colombia. When the embassy denies his request on the basis of the fake identity and passport of his mother, the protagonist will be forced to tackle the journey by ingesting ovules containing ashes instead of drugs and he will find himself in his home country for the first time, desperately looking for redemption and his mother’s house on the Madgalena river.
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
谬托知已 实是狼心狗肺 遇难不屈 乃获最后胜利 广袤的北美草原一望无际。 大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟,精于马术。在白人开设的酒店里,他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱,气恼地走开了。老酋长输光了现钱,又从怀里摸出一粒金子,白人大为惊愕,贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口,要酋长说出金子藏处,老酋长不从,结果为福克斯杀死。 驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡,束手无策。罗奇(杨成纯配音)少尉奉命押送军火,前来增援,中途遭到塔雄卡维科和托凯依托的袭击,罗奇受伤落荒而逃。 托凯依托为避免冲突激化,只身来到父亲遇难的酒店,同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复,提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库,然后远走高飞。 由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺,托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿,以建造铁路为由,强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计,将协议书当场撕毁。罗奇凶相毕露,下令关押酋长。少校见罗奇过于霸道,上前阻止,福克斯竟挥拳把少校击倒在地。 印第安人被强行驱赶到一片荒凉的石头地,长老才如梦初醒。同时,罗奇为了夺取大权,谋害了受伤的少校。临终前,少校痛苦地呼喊着女儿凯蒂。葬礼后,正直善良的亚当斯承担了照顾凯蒂的责任。 释放托凯依托的命令下达后,福克斯悄悄溜进了地窖,凯蒂发觉后,连忙叫喊亚当斯。地窖里,福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际,亚当斯及时赶到,福克斯只好悻悻地走了。 在移民迁送站,托凯依托得悉战友塔雄卡维科惨遭杀害,不由痛楚万分。由于奸细塔托卡诺的出卖,白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们,命人擒获了两人。双方误会消除后,他们一起从罗奇的营地夺回了枪枝马匹,并杀死了罗奇。 福克斯见托凯依托杀死了罗奇,便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后,决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索,紧紧套住了托凯依托。哪知正当他得意忘形时,托凯依托奋力从背后跃上福克斯的马,一刀结果了罪恶累累的“屠夫”。这时,众骑士纷纷围着托凯依托,唐纳酋长挺身而出,引开骑士。最后,两人摆脱了追踪,顺利返回了部落。 晨曦初露,微风轻拂,托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。
这些是第一次世界大战的年代,斯特凡诺·佐尔齐医生在意大利北部一座大城市的免除诊所度过他的日子。在那里,他不仅照顾从前线屠杀中归来的士兵,还与那些希望被免除服役的人作斗争,这些人通过送他们去军事法庭来进行模拟和自残。斯特凡诺从未想过会遇到一个故意寻求病理的人,就像为了从更大的邪恶中拯救自己而购买救生艇一样。但现在他厌倦了这场使他成为检察官和宪兵的冲突。 朱利奥·法拉迪医生则在一栋偏僻建筑的公寓里工作。他是一个不安分的人,强烈反对战争,对那些在他的“私人战争”中的士兵怀有一种温柔而占有欲的爱。如果斯特凡诺确实尽了最大的努力来治疗士兵并让他们回去战斗,朱利奥则让他们生病,或者帮助他们严重自残,足以被免除服役。这两位医生是大学同学,也是好朋友,他们不仅在专业上暗自较劲,在感情上也是如此:他们都与安娜有联系,她是一位勇敢且性格坚强的护士。但在1918年那场可怕的“西班牙”流感大流行到来之际,爱情、政治和科学交织在一起,危险地纠缠在一起…
For 27-year-old Ben (Josh Lawson), life couldn’t be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex (Rachael Taylor) and Jim (Ed Kavalee) in talking about their personal achievements, something goes wrong. Ben is the only speaker not to be asked a question by the school kids. This triggers a year of soulsearching and looking for answers in all the wrong places. From his best friend Andy (Christian Clark) whose solution is that they both take another holiday, to his mentor Sam (Lachy Hulme) who loans him a sports car in the belief that there’s nothing like excessive speed to resolve emotional turmoil. Not even Ben’s father (Rob Carlton) or friends Nick (Daniel Henshall) and Em (Felicity Ward) can offer much in the way of meaningful guidance. Of course, it’s not easy seeking enlightenment in nightclubs, or on the ski fields of New Zealand, and when you start dating a Russian tennis star things can get really complicated. As the poster boy for a generation desperate to tick every box, Ben begins to suspect that the meaning of life may well reside in the things he's already doing - and a girl he used to know.
遥远的北欧地区,瑞典的斯德哥尔摩一片银装素裹,寒气逼人。12岁少年奥斯卡(Kåre Hedebrant 凯尔•赫德布朗特 饰)生活在一个单亲家庭,他在学校形单影只,饱受欺负;回家后则偷偷搜集关于各类凶杀案的剪报,或者深夜挥着小刀在树上发泄着自己的愤怒。 新搬来的小孩爱莉(Lina Leandersson 莉娜•莱纳德尔森 饰)走进了奥斯卡的生活,他们慢慢成为朋友,并逐渐产生爱情。而就在此时,奥斯卡无意中发现爱莉一个令人毛骨悚然的秘密…… 本片改编自瑞典小说家约翰•林德科维斯特(John Ajvide Lindqvist)2004年的同名畅销书,并荣获2008年翠贝卡电影节最高奖、2008高森博格电影节最佳北欧电影奖及柯达最佳摄影奖。
梅尔默一家的每个成员都在各自的问题中挣扎。谢尔哈特很难让贝谷姆适应他们的新生活。谢尔哈特的生活中少了一个女人,而加赞弗则努力维持家庭的和睦。
迪恩(大卫·萨克莱夫 David Sutcliffe 饰)是一位作家,一次偶然中,他遇见了一个名叫帕布罗(小安东尼奥·萨巴图 Antonio Sabato Jr. 饰)的英俊男子,两人看对上了眼,共同享受了一夜缠绵,之后,帕布罗不告而别。 迪恩发现自己深深地爱上了神秘的帕布罗,于是决定前往南美洲寻找他的爱人。可是,让迪恩没有想到的是,他并没有能够找到爱人,却找到了爱人的两个情人索菲亚(Celina Font 饰)和马克斯(Leonardo Brzezicki 饰),从两人处,迪恩得知了帕布罗其实是一个薄情寡义的混蛋。然而,即便如此,迪恩还是没办法放弃这段感情,而他不知道的是,在一来二去之间,马克斯竟然爱上了自己。
A young girl stays with her estranged grandparents in the city while she waits for the results of her audition for an international performance group. Her grandparents welcome her, delighted about the chance to get to know their granddaughter better. While staying at the house, the girl gets to know her uncle, who suffers from a mysterious long-term lung illness and is mainly confined to bed. She also observes her grandmother's weird religious rituals, some involving a swimming pool in the basement. When the girl's father finds out that she is staying with his parents, he persuades his sister to visit the house to get her out, ending with a terrible tragedy.
约翰(克里斯托弗·乔纳 Kristoffer Joner 饰)是一个看似木讷老实的小职员,女友英格丽(安娜·巴赫-维格 Anna Bache-Wiig 饰)的决然离开令他倍受打击。虽然约翰无数次希望重新来过,但是他们的爱情已无力回天。沮丧落寞之际,他结识了住在隔壁的邻居安娜(塞西蕾·A·莫斯利 Cecilie A. Mosli 饰)和金(朱莉娅·舒华特 Julia Schacht 饰)。安娜端庄雍容,金妖冶性感,虽仅有一墙之隔,但是她们似乎知晓约翰和英格丽之间的一切。约翰虽然感到阵阵不安,但却不知不觉为这两个女孩所吸引,他也由此坠入一个深不见底的黑色漩涡…… 本片荣获2005年挪威阿曼达奖最佳男主角奖(Kristoffer Joner)。