电影筛选After a string of crushing personal and professional humiliations, Jack Lee accepts that at age 39 he is a failure. Worst of all, he's let down his selfless immigrant parents. To get back on track, Jack reaches out to others: an almost famous guru, a respected arts administrator, and two fellow computer programmers, all of whom have problems of their own.
Maddie (Alexa Barajas, YELLOWJACKETS, THE FLASH) is in trouble. She’s been in an accident, and her politician mother can’t have her careless daughter destroying the reputation she’s built, so she sends Maddie to a safe house — a state-of-the-art domicile boasting a fully operational AI system called ROMI. Hertig (Pavel Kríz, MISSION: IMPOSSIBLE - GHOST PROTOCOL), the property manager and owner, gives Maddie a tour of her new digs, complete with every convenience brought to her by ROMI. He’s a bit strange, and she’s wary of him, but there’s also the awkwardly charming A.I. tech Barkley (Juan Reidinger, CLAWS, RICEBOY SLEEPS), whose genius built the artificial assistant from the ground up. Despite the occasional company, Maddie is scared she’ll be arrested and feels quite alone… and there’s something not quite right with ROMI. What lies ahead becomes an unsettling mystery for her, and surviving this lockdown instead of going to jail becomes her top priority.
Embrace of the Vampire stars Sharon Hinnendael as Charlotte, a timidand sheltered teen who has just left an all-girls Catholic school for anew life at a co-ed university. But an ancient evil has followed herhere, tormenting her with disturbing nightmares and tempting her withforbidden desires. It is a hunger that can only be satiated by sensualpleasures of the flesh…and a thirst for blood. It’s a battle for hersoul… and one she’s losing. But Charlotte is a fighter. The chaos andtorment threatens to unleash her own inner beast, and anyone even closeto her may find themselves embracing their own horrific fate.
为了庆祝 O 女士的 100 周年诞辰，特工们回到过去见证了她作为特工的最后一个案件。然而，出了问题，他们让未来变得更糟。
The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
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