黑暗之力

　　一名牧师开始对自己信仰产生怀疑，但他却不得不参与为一名少年驱魔，驱魔开始时他那个对信仰动摇的心与这场驱魔产生了一系列的连锁反应。

阿糠

　　当村长死去的女儿复活，一个遥远的村庄开始发生一系列难以解释的失踪及死亡事件，意外揭开村中森林恶魔的惊人秘密，以及让村长家族兴盛的活人祭祀仪式…。

下海2017

　　上世纪90年代末东北爆发大规模下岗潮，女性失业尤为严重。很多女人听说当法国保姆能赚钱，便不惜背上巨债出国。到巴黎后发现求生无路，只好去“站街”。比利时导演奥利维耶偶然遇到她们，进行了长期调查，并找到王小帅任监制，以此拍摄出电影《下海》。

尘土2001

　　《尘埃》是《暴雨将至》导演曼契夫斯机的2001年度新作，由两段不同时空的故事交织而成，其一是十九世纪的一对牛仔兄弟，兄弟情场鬩墙的结果，失败的哥哥流浪到欧洲，在一场争战之后，垂危的哥哥又遇上了另一名女子。另一条故事现则发生在现代纽约，老妇人在病床边跟一名抢匪叙述一则百年前牛仔流浪欧洲的传奇故事。

利库，来自罗马尼亚

　　主人公是一位92岁的老人。战争与和平、共产主义和革命后的时代都曾在他身上留下印记，他笑过、哭过、爱过，饱经世事沧桑，终成历史的见证者。　　虽是一部专题纪录片，但却讲述了过去的故事与人在迟暮之年的境遇，引发了人们对于自身，对于时光易逝、人生苦短的思考。

公寓2024：柬埔寨版

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

阿尔巴特

　　电影《阿尔巴特》以十三世纪的蒙古高原为背景，以“阿尔巴特”(蒙古语，译为“十户”)的一次行动为线索，讲述了一个关于“爱、忠诚、信念与誓言”的故事。影片塑造了十位蒙古勇士的形象。虽然他们都是平凡的人，各有缺点，但是对信念的忠诚，对生命的热爱，让他们生死与共，不离不弃，突出表现了游牧文化的精神内涵与“恪守信义、崇尚自然”的人文主义精神。

传送法

　　TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.

神秘契约

安德里和他的妻子瓦蒂想快速致富。当他们为一位富有的祖母担任护士时，机会来了。当奶奶突然去世时，他们想控制她的财产。为了防止邻居起疑，曾经在太平间工作的安德里故意用福尔马林来假装奶奶还活着，并故意带着奶奶在村子里转悠。

宇航员恋人

　　情不知所起，一往而深。爱情是一场危险的游戏。一个夏天，Pedro，一个公开的同性恋者，和Maxi，一个单身的异性恋者，开始了一段深厚的友谊，这让他们的朋友们都感到惊讶。Pedro和Maxi假装成情侣，结果骗过了所有人，包括Maxi的前女友，她突然出现搅局。然而，随着时间的推移，这两个设下圈套的男人最终也落入了自己编织的情网。性冲动变成了不可抗拒的欲望，两个人最终同床共枕；这仅仅是一次转瞬即逝的爱恋，还是一场至死不渝的爱情？

恶灵苏玛拉

　　Sumala, a name that is feared by people in a village in Semarang Regency from the past until now. No one dares to go out when night falls because Sumala will come to kill.

父亲的房子

　　A mysterious figure haunts Dodit and his family’s home.

杀死骑师

　　雷莫·曼弗雷迪尼是一位传奇骑师，但他的自我毁灭行为开始盖过他的才华，并威胁到他与女友阿布拉尔的关系。在他职业生涯中最重要的比赛当天，他遭遇了一场严重事故，而这场比赛本可使他还清对黑帮老板西雷纳的债务。雷莫之后从医院消失，游荡在布宜诺斯艾利斯的街头。他摆脱了自己的身份，开始发现自己真正应该成为的样子。但是西雷纳想要找到他，不论死活。

蒙古

　　年轻的蒙古人爱上了他的主的女儿。她的父亲谴责他为罪犯，并称他为亡命之徒。蒙古人必须在充满背叛和欺骗的世界中航行，为生存和正义而战。

卧底：费瑞崛起2

　　在失去一切后，费里选择隐退，过上了低调的生活，远离布拉班特的喧嚣。从表面上看，他似乎过得不错，周围是一些表面上的交际。然而，在内心深处，他的内心声音不断纠缠着他，使他无法真正获得快乐。费里的过去充满了暴力、谎言和背叛的痕迹。他在努力保持低调的同时，与自己的良心作斗争。为什么这位坚韧却又迷人的毒枭会选择从隐退中走出来，再玩最后一招呢？

我是爱

　　意大利米兰的瑞奇家族靠纺织业致富，在家长的寿宴上，爷爷将企业传给了儿子坦科雷德（加布里埃尔.费泽蒂 Gabriele Ferzetti 饰）和孙子爱德瓦多（弗拉维奥·帕伦蒂 Flavio Parenti 饰）。坦科雷德的俄国妻子艾玛（蒂尔达·斯维顿 Tilda Swin ton 饰）酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥（爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰）之后，艾玛被安东尼奥高超的烹饪手艺所吸引，情不自禁坠入爱河。不仅如此，艾玛还必须隐瞒她偶然发现女儿伊丽莎白（阿尔芭·洛尔瓦彻Alba Rohrwacher 饰）是同性恋的事实。与此同时，家族的事业也在变迁，尽管爱德瓦多独力反对出售家族企业，却还是无法抵挡资本全球化大潮的冲击，并购势在必行。在探讨商务的晚宴上，一个意外打破了艾玛苦心枯守的表面平静，她的灵魂就要破茧而出……

艾达夫人

电音奇才艾维奇：蒂姆原色

　　探讨瑞典著名 DJ 和音乐制作人 Tim Bergling（又名 Avicii）的生平和传奇；Avicii - My Last Show 将展示 Avicii 的最后一场演出。

爱的世界1967

　　此片根据英国小说家佛罗伦斯蒙哥马利原作改编而成。叙述英国驻意大利大使邓肯在妻子去世后，与两名幼子之间的故事。安东尼奎尔主演，获1966年意大利电影新闻记者协会银丝带奖和1967年戛纳电影节金棕榈提名。

复仇女神2024

　　When her sister is murdered by a group of politically connected rich kids, Sayara, a quiet gym cleaner from Turkmenistan, begins to follow in her father's footsteps, seeking a path of revenge.

阿拉夫在某处之间

阿拉夫是泽拉和奥尔贡的故事,他们的生活陷入真空。他们在其中生活和工作的世界是一个被抛弃的文化和不断变化的地方。他们也在等待改变的机会,从他们空虚而单调的生活中解脱出来。

像老板一样行动

为了从贪婪的兄弟姐妹手中拯救她父亲的公司，乔科别无选择，只能冒充他。

新型荒野

　　在挪威森林的一个小农场里，佩恩一家追求野性和自由的生活。他们实行家庭教育，努力营造与大自然和谐相处的亲密家庭氛围。然而，一场突如其来的悲剧打破了他们的田园生活，迫使他们不得不重新开辟一条通往现代社会的道路。

漂泊者

　　A main character of the incest movie "Gli sfiorati", in english is also known as Drifters, is Mète. He is 30 yeras old graphologist, enchanted by the secrets that can reveal the human hand. A week before father's wedding, his 17 years old stepsister moves to his Roman apartment. She is very hot and sexy teenager and the new neighborhood is now the beginning of their friendly (well, not exactly friendly) relations.

离开的母亲

　　自从20岁发现自己怀孕并将生下女儿阿曼达以来，克拉拉与母亲这个角色的关系一直很困难。她认为自己的身体不适合当母亲，因此在没有任何快乐的情况下付出，并在肮脏的夜总会里长时间工作。她决定离开女儿和伴侣，但十年后，当阿曼达生病时，她被迫承担起新的责任。

西辛7

桌上的卡片

这部电影跟随四个最好的朋友的生活和戏剧。这部电影涉及生活中的爱，失落，失败和胜利。

贝内尔和阿达玛

　　青青草原上，粉红领巾随着阵阵徐风飘扬，班内与阿达玛这对年轻夫妻，趁着牧牛享受独处时光，即便太阳炙热又刺眼，但在恋人眼里只要映着彼此脸庞，就仍是朦胧美好。阿达玛拒绝世袭接任首领，班内对生育没兴趣，两人不愿依循传统规范，梦想在村落外拥有属于自己的房子。当雨季延迟、干旱降临，牛只相继死去，人们议论纷纷是否违背天意，他们的爱情将面临一场风暴来袭。

奥卡

　　The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.

大保镖1976

　　Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.