巴尔

　　Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

波尔图

　　与日常四周格格不入却仍不想陷于自怜自伤的话，谈一场恋爱如何？可惜这年头轰轰烈烈不轮到他们，迂回兜转最后甘于暧昧缠绵，一头栽进的迷雾抹不掉自恋两字？两颗寂寞的心相逢于波图一夜，淡淡的连结共享了莫名感动的时刻；眼前只有丝丝入扣的影像，背后也许尚勾起似有还无的回忆，之后你记得也好，最好忘掉。比《情留半天》更飘逸，较《有人喜欢蓝》更浪荡。真实本就在万千一瞬之间消逝，有情人能把握的，说是时间的结晶，到头来只能是如诗的升华。

元素，洗发水，圆点和查尔斯

周末反叛者

　　杰森十岁，患有自闭症。他保持固定的生活规律，不容许违反。他的父母米尔科和法蒂梅都为此付出努力，但学校却想把杰森转到特殊教育学校。为了避免这种情况，米尔科答应帮儿子找一个喜欢的足球俱乐部。作为回报，杰森答应在学校好好表现……

老妈乱入夏令营

　　为了挽救儿子的期末露营之旅，这位单身母亲充当起了校车司机，并试图向儿子证明自己真的可以成为一位酷妈。

美丽的不完美

　　Giacomo Casanova's great love Lucia leaves Italy for Amsterdam. When they meet again, she has reinvented herself as a veiled courtesan. As the former lovers reignite their passion, Lucia keeps her true identity a secret.

迟到的婚礼

　　湮没的传统反扑起来，可以势如破竹。传统曰：迟婚有罪。沙萨有美女情人，一个有女儿的单亲妈妈，性、爱和家庭之乐样样不缺。但顽固父母可没这样想，眼看三十一岁儿子还未成家，急著带他去相亲又相亲，后知悉离婚女人从中作梗，家族上下无不如临大敌。父母一步一计算，其实心有戚戚然。细腻、感人、幽默，更难得不带冷嘲热讽，对死抱传统的上一代处处体恤。坦荡荡情爱面对隔世保守思想，别有苦涩在心头。囊括以色列电影金像奖九个大奖，编导演皆妙不可言，一众人物个个有血有肉。

咒骂者

越爱越寂寞

西西里来信

　　“在意大利丰富的犯罪历史中，马蒂奥·梅西纳·德纳罗和他的30年销声匿迹是独一无二的，”导演们坚持说，“多年来的调查和报道中透露出的细节，让我们有机会深入了解他神秘的性格，并揭示他隐身存在所培育的广泛关系网络。在我们的电影中，在理性的沉睡中追逐梦想的人们，最终都陷入了悲剧而荒谬的噩梦之中。”

窒欲

　　电影改编自有争议的小说《Muidhond》，因缺乏证据被释放出狱的乔纳森是一位恋童癖患者，为了远离“真实的自己”，他照顾了一条据说具有治疗作用的鲤鱼muidhond，过着压抑的生活，直到隔壁小女孩贝丝出现。贝丝越来越依赖这个善良的大哥哥，乔纳森感到快乐的同时也在尽力地抗拒自己，深怕会唤醒心底的某种怪物。

罪犯们

　　莫兰和罗曼是两名银行职员，他们在人生的某个阶段对自己的日常工作产生了质疑。他们中的一个找到了解决办法，那就是犯罪。不知何故，他成功了，并将自己的命运托付给了他的搭档。这个决定将使他们的生活发生巨大的变化，以寻求更好的生活。

黑暗之力

　　一名牧师开始对自己信仰产生怀疑，但他却不得不参与为一名少年驱魔，驱魔开始时他那个对信仰动摇的心与这场驱魔产生了一系列的连锁反应。

启动2

记者弗兰克·莫利纳在职业生涯崩溃后匿名躲藏起来。被割断的眼睛和血腥的笔记扰乱了他的避难所。随着死亡人数的增加，他必须面对过去的创伤才能揭露凶手。

秋天里的春光

　　正所谓“少要沉稳老轻狂”，年届不惑的弗兰提斯克·汉那（Vlastimil Brodský 饰）越老越有活力，他不去理会老婆艾蜜莉（Stella Zázvorková 饰）辛苦存下棺材本钱的良苦用心，也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡，只想尽情享受最后的时光。他和剧院的好友艾德（Stanislav Zindulka 饰）假扮各种身份的人，从中得到无限的乐趣，却也因此惹下不少的麻烦。垂暮的生命，因一颗青春顽皮的心而充满光芒……　　本片荣获2002年克里夫兰国际电影节最佳影片奖；2002年捷克金狮奖最佳女主角奖（Stella Zázvorková）、最佳剧本奖和最佳男配角奖（Stanislav Zindulka）；2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。

西辛6

　　Yaşar, a young man, has a hard time after his father's death. His inheritance from his father causes Yaşar to have problems with his stepmother. Meanwhile, Yaşar learns that her sister-in-law, Canan, who is living in the same house, is in love with her. While Yaşar is dealing with the inheritance issue and his sister-in-law, he realizes that there are some strange events at home. Yasar's mentally disordered daughter Efsun's dark past is unearthed, making things even more complicated. The pain of the family, who had to face the dark past of Efsun, is just the beginning for them.

我的主人

　　在一个炎热而漫长的夏天，查理·博伊德，十六岁，青春活力。当一个家庭悲剧事件进入他的世界，查理感到很痛苦，他认为没有人可以帮他，他试图逃跑。绝望和孤独，直到他遇到 Maggie，这个神秘的女人。　　于是查理进入她的生活，随之危险的关系慢慢展开，他们彼此不能离开谁。Maggie发现自己的不足，并为此付出代价。她可以给查理，并用它来治疗自己调皮捣蛋的男孩，他的情妇。

勇敢王子

　　In a time now lost in the mists of memory, the great King Arthur rules in the legendary citadel that is Camelot. His Knights of the Round Table perform acts of derring-do and spend their spare time jousting, much to the delight of the local citizens and especially to Princess Ilene, a guest at Camelot. Watching her from afar is a young, inexperienced squire called Valiant, and when the young Welsh princess is sent home to marry Prince Arn, Valiant contrives to accompany her masquerading as Sir Gawain. Meanwhile, the evil sorceress Morgan le Fey, sister to King Arthur, has convinced the tyrannical Sligon, ruler of the Viking kingdom of Thule, that he should steal Arthur's sword, the powerful and magical Excalibur, knowing that its loss could bring about Arthur's downfall. So into the fray comes Sligon's unstable and psychotic brother Thagnar, who manages to steal the sword. Pandemonium reigns. But Valiant is having problems of his own - kidnappers attempt to steal away the Princess, and after various skirmishes, including one with a mysterious character who lives in a cave and purloins treasure, women and other things of value, Valiant manages to return the Princess to her homeland - although he also manages to have a duel with the Princess' jealous fiancé, Prince Arn. All things converge as Valiant is finally informed of his heritage by the stranger from the cave... Boltar of Thule. He informs the lad that he is Prince Valiant, rightful heir to the kingdom of Thule, and with his help, Valiant returns to the land of his birth to rightfully claim what is his.

荒草地

　　A village in Ukraine, near the Russian border. The only thing that slightly disturbs the peace there is the occasional death of an elderly person. That is also why Anatoly returns there: to take care of his dying mother.

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

拉玛斯

　　Mona, a baker's daughter, feels trapped by her controlling father Adon. New employee Lina ignites Mona's desires. Adon has contrasting plans for Mona. Torn between duty and passion, Mona must decide her future path.

身段

　　Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.

蒙古

　　年轻的蒙古人爱上了他的主的女儿。她的父亲谴责他为罪犯，并称他为亡命之徒。蒙古人必须在充满背叛和欺骗的世界中航行，为生存和正义而战。

2005年的一个夜晚

　　2005 年，舞会后派对原本是一个欢乐的夜晚，但很快却变成了伊菲最可怕的噩梦。她从那晚起就一直背负着一个黑暗的秘密，直到成年，这个秘密仍然困扰着她的日常生活。

向日葵2023

　　一个在墨尔本郊区的工人阶级环境中长大的17岁的男孩挣扎着去理解和拥抱自己的性取向。

换爱大冒险

　　亚当（马丁·巴赫 Martin Buch 饰）和妻子结婚多年，两人之间的感情早就已经被时间消磨的所剩无几。一天，亚当听闻了有一家换妻俱乐部，于是决定去探访一番，以找回往日的激情。在俱乐部里，亚当邂逅了名为派翠西亚（娜塔莉·玛杜诺 Natalie Madueño 饰）的美丽女子，被她迷得神魂颠倒。　　派翠西亚和男友帕特里克（埃米尔·伯克·哈特曼 Emil Birk Hartmann 饰）一起来到俱乐部，两人为的就是寻求刺激。这一对俊男靓女自然受到俱乐部里其他成员的追捧，然而，帕翠西亚却发现，相比起女人，自己的男友似乎对男人更感兴趣。腰缠万贯的富豪杨恩（拉斯马斯·伯托夫特 Rasmus Botoft 饰）和太太也来到了俱乐部中，想不到这疯狂的举动却让他们找回了曾经的真心。

山鬼2017

乔伊卡

　　塔莉娅·莱德、黛安·克鲁格将主演传记新片[乔伊卡]！詹姆斯·纳皮尔·罗伯逊([黑马])自编自导。莱德饰演著名芭蕾舞女演员乔伊·沃马克，“乔伊卡”为其俄语名，她是第二位与莫斯科大剧院芭蕾舞团签约的美国女性。克鲁格则饰演乔伊卡的导师沃尔科娃。托马辛·麦肯齐退出该项目。

沃伦·米勒的《追逐阴影》

这部电影集滑雪各个方面于一身，为所有观众打造了一部精彩的电影。滑雪是一项美丽的运动，这部电影捕捉到了在深粉雪中滑雪或撕掉新鲜美容师的感觉。我会向我的滑雪伙伴推荐这部电影，但也推荐给对这项运动一无所知的人。滑雪可以让您以其他方式无法比拟的方式了解世界各地。 《追影》的剧情很棒，很能吸引观众的兴趣。这部电影中使用的音乐很棒。将电子音乐与西方音乐相结合，有一首适合各种心情的歌曲。我喜欢滑雪，这部电影是表达滑雪之美的绝佳方式。

丘比特远征

演艺事业陷入绝境的女演员得到了参加真人生存相亲节目的机会，被淘汰后，一场飓风使岛上的所有人都陷入危险，他们试图真正生存下来。