电影筛选Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman receives a news which is related with his previous passionate life. Then the whole action stats as a chain of events. He learns not only he has had a son named as a Murat, also he realizes that his son has got a enemy called as Devran for his son's relationship with a attractive and fine girl, Karaca.
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
洛伦佐（雅各波•奥尔莫•安蒂诺里 Jacopo Olmo Antinori 饰）是一个内心细腻而又敏感的14岁男孩，成长在一个不幸福的家庭之中的他非常讨厌社交，因此，当学校决定举行滑雪活动后，洛伦佐选择了躲进地下室，在一个星期的时间里，洛伦佐将享受没有任何人打扰他的幸福生活，他可以尽情的和自己喜欢的音乐、书籍、游戏呆在一起。 让洛伦佐没有想到的是，同父异母的姐姐奥莉薇娅（泰娅•法尔科 Tea Falco 饰）的出现彻底打破了他对于未来一个礼拜的甜蜜幻想。这个做事从来不按照常理出牌的女人就这么大大咧咧的闯入洛伦佐的私人空间之中，但是，这一次被迫的相处，也让洛伦佐对于他的姐姐，甚至是他的人生有了新的见解。
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家，由 JSC 派往布鲁塞尔，到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓，要求透露有关罗杰的信息，并准备离开该国。蒂尔达试图劝阻她，但无济于事。蒂尔达只能自谋生路，她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上，彼得·奎尔强迫她靠边停车，他自称是军情六处。他警告她，俄罗斯未来打算重新占领爱沙尼亚，以及为什么该国对欧盟安全至关重要。
本片是哈萨克斯坦独立三十周年献礼电影。 这部旨在表现哈萨克汗国著名可汗——哈斯木汗生平历史的鸿篇巨制，由曾执导《黑色人生》《无畏一千勇士》《托米莉斯女王》等诸多经典电影作品的阿坎·萨塔耶夫担任导演。 这部电影的事件涵盖1470年代至1520年代，聚焦于哈斯木汗掌权并引领哈萨克汗国走向强盛的1511年至1521年时期的传奇故事。哈斯木汗在1510年的乌利陶战役中获胜后，他的名声传遍了整个中亚大地。哈斯木汗统治期间，哈萨克汗国是当时中亚地区最强大的国家，人口超过100万，军力30万，领土囊括了整个钦察草原，西到伏尔加河，东到额尔齐斯河，南到锡尔河，北到托博尔，奠定了未来哈萨克斯坦的版图；还制定了《哈斯木法典》。
再过不久，贝茨（Tabrett Bethell 饰）和丈夫卡麦林（安迪·惠特菲尔德 Andy Whitfield 饰）就将迎来属于他们的孩子，两人完全沉浸在幸福的氛围之中。在回老家的路上，夫妻二人入住了一家汽车旅馆，而就在当天夜里，卡麦林绝望的发现大着肚子的贝茨失踪了。直觉告诉卡麦林，这一切都是旅馆搞的鬼，爱妻心切的他不顾警察的阻拦独自踏上了寻妻之路。 醒来的贝茨发现自己被困在了一间废旧的工厂里，同时，肚子上的伤口告诉她，孩子已经不知所踪。在工厂里，贝茨发现了许多和自己一样被绑架而来并且强制生产的妇女，母爱使然，她们决定团结一致，找到各自的孩子，逃出这噩梦般的地方。然而，随着行动的步步深入，贝茨发现自己似乎陷入了一个恐怖的阴谋之中。
The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
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