You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
普普通通的人,变成了鬼,也是过着普普通通的生活,更加不用说从生下来就是个灾星一样的人了。Win叫Win不是因为自己是人生的赢家,只是因为自己是在摩天轮出生的,而那时候经常耍酷的救援大叔叫Win,所以父母给他取这个名字。或许是因为意外来到这个世界上的他,人生处处都是失败,做人也是到了非常倒霉的地步了。找不到工作的他,站在大桥边怀疑人生,缺被大家误会是要自杀,或许是因为最近PM2.5太凶了,曾经救过他的大叔Win打了喷嚏,倒霉的他就这么死掉了。变成了新手鬼魂的他,遇到了自称是引路的鬼保姆,来教导他怎么作为新手鬼魂生存,首先要做的就是让自己不能功德值掉到横线下,不然会变成饿死鬼。然而他想入梦让父母给他做功德都做不到,因为父母还固执的挣钱,拿着呼吸机给他吊命。没办法的他,想到了去金船女神庙来和女神合作,然而,这个庙要被一家公司老板拆掉,作为新的建筑,新手鬼魂,为了获得功德值,任务正在进行中...
妻子去世后,他带着十几岁的女儿梅(May)搬到了穆斯林占多数的曼谷郊区一栋废弃的豪宅。作为一个彻底的怀疑论者,他不顾当地人的警告,扔掉了房子里的护身符,并在这个过程中释放了一个愤怒的精灵和它200年的诅咒。当Mit陷入精神错乱和自残时,May必须踏上一段向南寻求帮助的旅程。 帕努·阿丽和孔·里斯迪的《被诅咒的土地》以21世纪初为背景,将泰国的政治和种族紧张局势浓缩成一部惊险的、跨越时间的恐怖电影。通过阿丽和瑞思迪机敏的剧本,米特逐渐与被压抑的个人过去和解,与此同时,泰国与马来半岛及其居民之间的冲突也未得到解决,其中许多人是19世纪曼谷发展过程中被迫从海外带回的劳工。 通过将他们的电影定位在穆斯林社区的本土信仰中,阿丽和里迪斯拓展了传统上植根于佛教宇宙观的泰国恐怖电影的视野。《被诅咒的土地》将泰国的历史幽灵装在一个瓶子里,同时也沉浸在鬼屋的所有传统乐趣和恐怖中。
麦特(琵雅妲·沃拉慕斯 Pok Piyatida Woramusik 饰)的丈夫很早就去世了,留下了幼小的儿子阿坦(吉拉宇·唐思苏克 James Jirayu Tangsrisuk 饰)需要麦特独自一人抚养长大。为了生存,麦特吃尽了苦头,所幸得到了一直钟情于她的马特(加亚纳马·诺帕柴 Jayanama Nopachai 饰)的支持和帮助,最终将阿坦培养成为了一名正直有为的青年。 然而,母亲无微不至的关心的照料令阿坦感到窒息,随着年龄的增长,阿坦和母亲之间的隔阂越来越深,两人渐行渐远,与此同时,阿坦结识了名为阿君(贾琳珀恩·朱凯特 Jarinporn Jookiat 饰)的女子,开朗活泼的阿君犹如一道阳光照进了阿坦阴霾的世界,亦使得阿坦和母亲重新接受了彼此。
Six Characters is possibly the most highly anticipated Thai film this year, not least of all for its star-studded cast. On a shooting set filled with tension, a nervous director (Mario Maurer) tries to shoot a horror movie. The willful cast of actors is no help. Meanwhile, six strangers suddenly appear who tell their story, explaining that they are the characters of the script left by a dead screenwriter. The director laughs at the strangers at first but eventually begins to get carried away by the compelling family story they tell. Director M.L. Bhandevanov Devakula, who also visited Busan in 2011 with Eternity, is a director who is talented depicting eroticism with intense emotions as well as adaptation as in the Jan Dara series. Six Characters, an adaptation of Italian playwriter Luigi Pirandello′s Six Characters in Search of an Author, spotlights the director’s strengths and vision.
It all starts when Brick receives a mysterious package. Inside the box is Anna, a sex doll AI system that can develop herself into a human being. Brick now has to sleep with eager Anna to test her functionality, or else he will be in a $50 million debt. As simple as it might seem, the fact that Brick is a virgin and afraid of women starts to complicate things.
2013年,泰国大选进入到最紧张的阶段,自由党主席丹迪•雷发表了振奋人心的演说,他承诺当选后停建祸国殃民的核电站,由此得到选民的支持,成功击败人民党,当选新一届的泰国总理。然而政客的承诺从来都不值钱,随着丹迪•雷的践祚,仅仅三年泰国上空便被阴云笼罩,罪恶贪婪如病毒般肆意蔓延到每一个角落,曼谷成为臭名昭著的国际化犯罪之都。在社会道德沦丧到无以复加的地步,一个人们心底期盼已久的英雄横空出世。他就是红鹰侠(阿南达·爱华灵咸 Ananda Everingham 饰),游走于法律之外,身怀绝技,嫉恶如仇,对待罪大恶极的腐坏分子绝不手软。与此同时,头号罪犯马杜里正率领手下进行一项罪不可赦的核武计划,红鹰侠的存在恰恰成为阻挡他计划实施的障碍。 百姓和政府的矛盾愈加激烈,为民请愿的红鹰侠冲在最前段……
30岁的阿翁(桑尼·苏瓦美塔农 Sunny Suwanmethanont 饰)是一名修图师,非常敬业的他几乎将所有的精力都投入到了工作之中,因为过度疲劳导致抵抗力下降,阿翁患上了皮肤病。无奈之下,阿翁只得来到皮肤科就诊,在这里,阿翁邂逅了名为阿燕(黛薇卡·霍内 Davi ka Hoorne 饰)的女医生。 温柔美丽的阿燕很快就吸引了阿翁的注意,令这个单纯的男孩迅速坠入情网之中。在阿燕的要求下,阿翁积极治疗,推掉了大部分工作,学习如何自我放松。虽然阿翁的健康渐渐的恢复了,但他也因此失去了再见到阿燕的机会。更糟的是,阿翁在工作上的懈怠令他失业了。为了发泄内心里的失落,阿翁决定重新做回工作狂。
因为教育部改制,女校和男校实行混合制教学。盖松小姐和颂帕小姐作为女校的优秀教师,带着女校的学生们入驻男校,开始了混合制教学的生活。颂帕小姐治学严谨,认真坚持,盖松小姐则是美丽大方,魅力十足。出众的二人一来到学校便受到了大家的欢迎,但是男校和女校的差异令二人十分头疼,一方面担心男女交往会让自己的女学生吃亏,另一方面作为老师又要担负起教育男学生的责任。在这个整蛊不断,差异逐渐融合的过程中,盖松小姐和一名男老师产生了感情,而颂帕小姐则坚持自己为人师表,不应恋爱的教育理念,二人渐生分歧。就在此时,男学生们因为女学生被外校男生调戏,而和外校男生大打出手,面临被取消考试资格的危机。颂帕小姐此时陷入了严谨治学和人性化教学的矛盾中,思考着如何处理此次的打架事件…
At a haunted apartment block populated mostly by ladyboys and cross-dressers, Taew opens a new apartment but soon someone commits suicide in a room - or maybe its murder. That is the start of crazy and funny haunting incidents and scenes involving a lot of people running away from pursuing ghosts.
ในเมืองที่กฎหมายไม่อาจอยู่เหนือกฎหมู่ ผู้คนเกรงกลัวกับอิทธิพลของเหล่ามาเฟีย สายสืบสุดเก๋าอย่าง 'ผู้กองทับทิมทวย' จึงได้รับภารกิจกวาดล้างเหล่ามาเฟียทั้งเมือง แต่ภารกิจนี้จะทำคนเดียวก็ไม่ได้ เขาจึงตัดสินใจรับสองนักเลงกระจอกอย่าง 'ห้าว' และ 'มาด' มาฝึกเข้มเพื่อต่อกรกับ "ผาด เพลิงผยอง" หัวหน้าแก๊งอินทรีที่ลือกันว่าโหดเหี้ยมที่สุด!
Sorn, an ethnic Shan sex worker, copes with his bitter reality in Chiang Mai, Thailand by imagining himself in his clients’ lives. He is drawn into a complex relationship with one client, a police officer investigating a political activist, even as he tries to build a future of his own as a refugee far from home.