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HD中字
有一天我们会告诉彼此一切
故事发生在1990年夏天前东德图林根州附近的乡村。即将年满19岁的玛丽亚和男友约翰内斯住在约翰内斯父母的农场里，她宁愿沉浸在书本中，也不愿专注于毕业。随着德国的统一，人们有一种新时代来临的感觉。 当玛丽亚遇到住在隔壁的农民亨纳时，玛丽亚与这个比她年龄大一倍、任性、有魅力的男人燃起强烈的激情。在充满未知的气氛中，爱情诞生了：一种充满渴望和欲望的秘密激情，吞噬了前进道路上的一切。
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HD德语繁字
斯黛拉终曲
1944: Stella Goldschlag will Jazz-Sängerin werden und träumt von einer Karriere am Broadway. Aber die Nazis beherrschen Deutschland. Und Stella ist Jüdin. Nachdem Stella zusammen mit ihren Eltern untertauchen muss, verwandelt sich ihr Leben in eine schuldhafte Tragödie. Durch einen Verrat wird sie von der Gestapo gefasst, gefoltert und zur «Greiferin» gemacht: Um sich und ihre Eltern vor der Deportation nach Auschwitz zu bewahren, beginnt Stella, systematisch andere Juden zu verraten.
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HD中字
西辛6
Yaşar, a young man, has a hard time after his father's death. His inheritance from his father causes Yaşar to have problems with his stepmother. Meanwhile, Yaşar learns that her sister-in-law, Canan, who is living in the same house, is in love with her. While Yaşar is dealing with the inheritance issue and his sister-in-law, he realizes that there are some strange events at home. Yasar's mentally disordered daughter Efsun's dark past is unearthed, making things even more complicated. The pain of the family, who had to face the dark past of Efsun, is just the beginning for them.
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HD中字
铁骨金沙
谬托知已 实是狼心狗肺 遇难不屈 乃获最后胜利 广袤的北美草原一望无际。 大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟，精于马术。在白人开设的酒店里，他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱，气恼地走开了。老酋长输光了现钱，又从怀里摸出一粒金子，白人大为惊愕，贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口，要酋长说出金子藏处，老酋长不从，结果为福克斯杀死。 驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡，束手无策。罗奇(杨成纯配音)少尉奉命押送军火，前来增援，中途遭到塔雄卡维科和托凯依托的袭击，罗奇受伤落荒而逃。 托凯依托为避免冲突激化，只身来到父亲遇难的酒店，同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复，提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库，然后远走高飞。 由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺，托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿，以建造铁路为由，强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计，将协议书当场撕毁。罗奇凶相毕露，下令关押酋长。少校见罗奇过于霸道，上前阻止，福克斯竟挥拳把少校击倒在地。 印第安人被强行驱赶到一片荒凉的石头地，长老才如梦初醒。同时，罗奇为了夺取大权，谋害了受伤的少校。临终前，少校痛苦地呼喊着女儿凯蒂。葬礼后，正直善良的亚当斯承担了照顾凯蒂的责任。 释放托凯依托的命令下达后，福克斯悄悄溜进了地窖，凯蒂发觉后，连忙叫喊亚当斯。地窖里，福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际，亚当斯及时赶到，福克斯只好悻悻地走了。 在移民迁送站，托凯依托得悉战友塔雄卡维科惨遭杀害，不由痛楚万分。由于奸细塔托卡诺的出卖，白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们，命人擒获了两人。双方误会消除后，他们一起从罗奇的营地夺回了枪枝马匹，并杀死了罗奇。 福克斯见托凯依托杀死了罗奇，便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后，决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索，紧紧套住了托凯依托。哪知正当他得意忘形时，托凯依托奋力从背后跃上福克斯的马，一刀结果了罪恶累累的“屠夫”。这时，众骑士纷纷围着托凯依托，唐纳酋长挺身而出，引开骑士。最后，两人摆脱了追踪，顺利返回了部落。 晨曦初露，微风轻拂，托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。
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HD中字
情感的力量
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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HD中字
黑色繁笺花
The story about Swedish ambassador in Chile - Harald Edelstam - and his heroic actions to protect the innocent people from the execution during and after the military coup on September 11th 1973. We travel with Edelstam during the terrible moments just after the coup and follows his never-ending fight for human rights, law and order. What drove him? And what price did he end up paying for his total commitment? Haunted by his own demons the we experiences on close hand how a womanizer desperately searches to find love again, a task only doable, if he can fight his own past and redeem himself. After saving hundreds - maybe even thousands - he is challenged once more, this time to save his newfound love from the death penalty issued by the regime. Another impossible task and a desperate chase against time. Based on a true story about a man, that did, what all of us only dreams of. Written by Producer
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HD中字
影子世界
Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
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HD中字
邻居2005
约翰（克里斯托弗·乔纳 Kristoffer Joner 饰）是一个看似木讷老实的小职员，女友英格丽（安娜·巴赫-维格 Anna Bache-Wiig 饰）的决然离开令他倍受打击。虽然约翰无数次希望重新来过，但是他们的爱情已无力回天。沮丧落寞之际，他结识了住在隔壁的邻居安娜（塞西蕾·A·莫斯利 Cecilie A. Mosli 饰）和金（朱莉娅·舒华特 Julia Schacht 饰）。安娜端庄雍容，金妖冶性感，虽仅有一墙之隔，但是她们似乎知晓约翰和英格丽之间的一切。约翰虽然感到阵阵不安，但却不知不觉为这两个女孩所吸引，他也由此坠入一个深不见底的黑色漩涡…… 本片荣获2005年挪威阿曼达奖最佳男主角奖（Kristoffer Joner）。
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HD中字
65号高速
Far from Tel Aviv and big city crimes, Daphna, 40, a promising police officer with a big mouth, finds herself in the small town of Afula dealing with petty crimes, seeking shade from the scorching heat, taking care of her aggressive cat, but more importantly, dodging the nagging question:" When are you going to get married, and have children?". The disappearance of Orly Elimeleh, a beautiful and wild 36 year-old army widow and former beauty queen, soon raises another troubling question for Daphna - why isn't anybody looking for her? This indifference towards Orly's uncertain fate shakes Daphna to the core as she begins to identify with her and to suspect the worst. Her concern gradually consumes her life, blurs her reality and causes her to question whether she is just imagining things, or is she on the contrary, the only one seeing things clearly. Matan, the younger 34 year-old son and "black sheep" of the powerful Oheyon's, Orly's late husband's family, seems to be the only one who ...
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