电影筛选故事发生在1942年的夏天，瓦斯柯夫准尉（皮欧特·费奥多罗夫 Pyotr Fyodorov 饰）带领着他的女机枪手们驻扎在一处偏远的村庄中，某日，班长丽达（阿纳斯塔西娅·米库齐娜 Anastasiya Mikulchina 饰）意外的撞破了两个德国士兵要袭击苏联重要军事基地的阴谋，她火速将这一消息带回了部队中。 瓦斯柯夫准尉带领着丽萨（索菲亚·列别杰娃 Sofya Lebedeva 饰）、迦尔卡（克里斯蒂娜·阿斯姆斯 Kristina Asmus 饰）、索妮娅（雅戈尼娅·库兹涅佐娃 Agniya Kuznetsova 饰）、冉妮娅（叶夫根尼娅·马拉霍娃 Zhenya Malakhova 饰）和丽达，这五名部队里的精锐人员前往丛林之中一探究竟，等待着姑娘们的，除了狡猾的敌人外，还有非常恶劣的自然环境。
一场毫无征兆的现代战争一触即发，无数大兵、先进武器聚集一地，战事愈演愈烈，导弹在天空中呼啸而过，子弹像雨点般的肆意飞散，形成了一道不可逾越的战争火线，而这道火线恰好阻隔了一对母子。年轻貌美的母亲不顾一切、试图只身穿越火线，救出年幼的儿子，但无奈于敌方火力封锁严密，而且她心中的机器怪物也是万般阻隔，这个冒险之旅对于一个女人来说就像一场噩梦，幸有一队勇敢的大兵舍身保护，但她能否克服千难万险，打败心魔，营救出儿子……
Soldier Ivan Denisovich Shukhov was taken prisoner by the Germans, and after leaving it, he ended up in his homeland as a prisoner and he began to build a giant space industry plant. In conditions of hunger, humiliation and fear, he managed to maintain honesty and openness to the world, but will he be able to go free and meet with his daughters?
童年时代的悲惨经历让勇敢战士猎狼犬（亚历山大·布哈罗夫 Aleksandr Bukharov 饰）的心中充满了仇恨，即便失去了自由沦为奴隶，但猎狼犬心中的仇恨却并没有因为时间的流逝而有半分减损。终于，猎狼犬找到了机会逃脱了敌人的禁锢，不过故事并没有就此结束，因为还有更重要的事情在等待着猎狼犬去完成。 海伦公主（奥莎娜·阿金什那 Oksana Akinshina 饰）遭遇了被诅咒的命运，她不仅被迫和恶魔的儿子维尼塔（安纳托里·贝利 Anatoli Belyj 饰）订下了婚约，还为了召唤邪恶的女巫而献出了自己的鲜血。猎狼犬的到来替海伦公主带来了希望，在敌人重重的包围之中，猎狼犬能够顺利的完成自己的任务吗？
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
After the divorce, Lisa was left with two children. Soon she meets a woman who is called her relative and says that their family has a family curse and that Lisa's boys are in mortal danger. Lisa refuses to believe in superstitious fears, but later strange visions begin to visit her, and she realizes that the curse turns out to be real. Now she must save her children from evil at any cost.
很久很久以前，一个美丽的女巫的女儿在田野中捡到神秘的阿拉特里魔石，结果她被魔石变成了石头公主，并被囚禁在石塔里。一千年过去，石头公主仍然没有恢复原貌，她的脾气反而变得越来越坏。她经常派遣用石头幻化而成的阿达尔兵四处烧杀抢掠，无恶不作，但这仍然无法平息她的怒火，一千年来，石头公主不断寻找可以让她恢复原状的石匠，根据魔镜的描述，那个传奇石匠已然降生，正迎来自己的辉煌时代。 在一个遥远而安宁的国度，人们快乐地生活于此。但是阿达尔兵的铁蹄很快入侵了这里，他们掳走了当地大公的笨蛋女儿克拉娃以及年轻帅气的小石匠瓦尼亚，进入了黑暗神秘的无边森林。一场奇幻的旅程就此开始…… 本片根据俄罗斯民间广为流传的神话故事改编。
难得一见的流星雨即将在俄罗斯上空出现，青年男女们兴奋非常，纷纷走上街头见证着历史性的一刻。美丽女孩尤利娅（伊琳娜·斯达森保姆 Irina Starshenbaum 饰）不顾身为军官的父亲的反对，执意和特姆（亚历山大·佩特罗夫 Alexander Petrov 饰）交往。在流星雨来的这天，他们躲在一隅偷欢，却不知莫大的危机正在袭来。一艘外星飞船遭到意外，结果又被俄罗斯空军击中。它在迫降的过程中给莫斯科造成毁灭性的打击，而尤利娅的闺蜜也在灾难中丧生。在此之后，尤利娅和朋友们闯入禁区，遭遇了外星人。阴差阳错，她决定救治受重伤的外星飞行员汉克（林奈·穆罕默托夫 Rinal Mukhametov 饰），而特姆等憎恶外星人带来的灾难，对汉克恨之入骨。 跨越时空的爱情在此过程中产生……
米哈伊尔是一位年轻的商人，凭着一股狠劲，他迅速取得了成功。他的生活充斥着一系列的商务会议，谈判和公关，根本无暇顾及个人生活，思考除了生意以外的事情。因为从小在孤儿院长大的父亲一直教育他，不能有爱，这会是致命的软肋。最近米哈伊尔与合伙人在一项地产开发项目中遇到了两位“挖掘者”的阻拦，他们要求项目暂停，直到他们完成挖掘被掩埋红军战士的遗体为止。为了摆脱纠缠，米哈伊尔假意跟随其中一人进入地下防空洞，谁知阴差阳错，他居然穿越到了二战期间……作为旁观者，身处战场的米哈伊尔并不会遭遇危险，士兵们也无法感知他的存在。就这样，在一次又一次短暂的穿越中，米哈伊尔看到了人间大爱，看到了那些为了祖国未来而无畏牺牲的无数小我，并且经由线索，他发现那些穿越回去接触到的英雄，居然是他的祖辈。
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set. In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene. In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
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