电影筛选杰克是一名厨师，他周游世界寻找特殊食材，他需要学会结对工作才能赢得一场烹饪比赛，这可以帮助他在食谱出错后恢复失去的声誉。
意大利米兰的瑞奇家族靠纺织业致富，在家长的寿宴上，爷爷将企业传给了儿子坦科雷德（加布里埃尔.费泽蒂 Gabriele Ferzetti 饰）和孙子爱德瓦多（弗拉维奥·帕伦蒂 Flavio Parenti 饰）。坦科雷德的俄国妻子艾玛（蒂尔达·斯维顿 Tilda Swin ton 饰）酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥（爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰）之后，艾玛被安东尼奥高超的烹饪手艺所吸引，情不自禁坠入爱河。不仅如此，艾玛还必须隐瞒她偶然发现女儿伊丽莎白（阿尔芭·洛尔瓦彻Alba Rohrwacher 饰）是同性恋的事实。与此同时，家族的事业也在变迁，尽管爱德瓦多独力反对出售家族企业，却还是无法抵挡资本全球化大潮的冲击，并购势在必行。在探讨商务的晚宴上，一个意外打破了艾玛苦心枯守的表面平静，她的灵魂就要破茧而出……
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷（代表作《双重特工》）创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景，融合了地缘政治、爵士音乐、冷战阴谋和殖民实践，是一部爆炸性的混合体。片中既有详尽的研究和数据，又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时，影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏，浑然不知他们不过是中情局阴谋的幌子。最终，这部影片充满了音乐和电影能量，同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
Pablo’s life is ruled by drugs and by the intense and oppressive relationship he has with his mother, a former cocaine mule who escaped from Colombia and with whom he shares a small house in the outskirts of Rome. After her death, following her relapse into drug addiction caused by his emotional involvement with a young Colombian girl mixed up in the smuggling ring, Pablo’s guilt pushes him to try and bring her ashes back to Colombia. When the embassy denies his request on the basis of the fake identity and passport of his mother, the protagonist will be forced to tackle the journey by ingesting ovules containing ashes instead of drugs and he will find himself in his home country for the first time, desperately looking for redemption and his mother’s house on the Madgalena river.
新品种少女学。女孩艾玛有点色，色情电话来谈心，老板到老友，男女都可以，异想世界中通通恋上 我的床，直到白马王子咚咚来，一个「擦枪走火」，从此引发好姊妹之间战火。当整个小镇与我为敌。 身体乍萌的战慄与微微的迷惑。女孩之间转瞬变脸合纵连横的複杂关系，清新又坦荡，越要爱越要作 。 追忆起那些汤汤水水的甜蜜事儿。青春微色，微涩。 少女情怀总是湿。新世代少女站出来，导演雅妮克贾考森重写成长电影系谱，让鸡汤变清水，欲望可 以很混浊也能很纯净，直触成长不可言说之蕊心，亲情友情爱情层次分明一次到位，还有激情和恋情， 浑然天成毫不造作。荣获翠贝卡影展最佳剧本奖。每个女人心里都住著一位少女。每个少女心头都该 有这部青春映画。
一天晚上，埃米尔卡（Emilka）在一家俱乐部遇到了年纪稍大的马西克（Maciek）。他向由单身母亲抚养长大的埃米尔卡展示了一个充满欲望、激情、躁动不安和叛逆的全新世界。女孩和他一起搬进来，起初一切似乎都很完美，但渐渐地，埃米尔卡发现了她独立的身份，并开始与他分开。当她成为歌手的梦想成真时，Maciek感到受到威胁。一场有毒的爱情游戏开始了，充满了欲望和嫉妒 Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.
Alice (Kristanna Loken) is a ghostwriter for a famous bestselling author. She is half through the work of the his new book, but cannot write anymore. A year before she has had a terrible accident in Malta where she was staying with her husband Max (Antonio Cupo) in his family villa and she was in a coma for two weeks. On waking up she had lost part of her memory and has no recollection of the accident and her stay in Malta. Since then, she has been suffering from depression and has recurrent and cryptic nightmares. Max who is her agent as well persuades her to go back to Malta hoping that something will unblock her mind so she can start working again and meet the last delivery deadline the publisher has given her. In the beautiful Maltese villa surrounded by lemon trees, they are welcomed by a stunning Mediterranean girl Sara (Sarai Givaty) Max has hired to help around the house. the girl immediately establishes a friendship and trust with Alice. Two different women, one sensual and self-assured, the other mysterious and insecure... In the meantime, another stranger Castellano (Giulio Berruti) is snooping around the villa, spying Sara, talking to Alice and exchanging items with a local policeman. Are ours characters really who we think they are? Is there a different version of the truth ?All is about to be seen ...
A sequel to the smash hit
The film shows an obscure episode from the life of a Stalinist criminal - Colonel of the Office of Public Security, Julia Brystiger. Her nickname was "Bloody Luna" because during interrogations she tortured prisoners with extreme cruelty. At the beginning of 1960s she appeared in Laski near Warsaw, in the Institute for the Blind, where the Primate of Poland, Cardinal Stefan Wyszynski, was also a frequent visitor. His imprisonment in the years 1953-1956 was supervised by none other than Julia Brystiger herself. During the difficult and tempestuous conversation with the Primate, Julia Brystiger rejects the communist ideology, asks for her crimes to be forgiven and for help in finding God...
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness, desire and obsession arises. Where the truth lies is impossible to know, and soon everything evolves less and less around the children, who we never meet, and more about the adults.
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