Piotr Czarny is a charming thirty-something lawyer. He is constantly chasing adrenaline, women and parties. His goal was to fill the list of mistresses with names for every letter of the alphabet. His plan is put in jeopardy when a colleague, Olga - the only woman he's completely honest with and doesn't sleep with - gives him an ultimatum.
意大利米兰的瑞奇家族靠纺织业致富,在家长的寿宴上,爷爷将企业传给了儿子坦科雷德(加布里埃尔.费泽蒂 Gabriele Ferzetti 饰)和孙子爱德瓦多(弗拉维奥·帕伦蒂 Flavio Parenti 饰)。坦科雷德的俄国妻子艾玛(蒂尔达·斯维顿 Tilda Swin ton 饰)酷爱烹饪。在结识了儿子爱德瓦多的厨师朋友安东尼奥(爱德瓦多·加布瑞尔利尼 Edoardo Gabbriellini 饰)之后,艾玛被安东尼奥高超的烹饪手艺所吸引,情不自禁坠入爱河。不仅如此,艾玛还必须隐瞒她偶然发现女儿伊丽莎白(阿尔芭·洛尔瓦彻Alba Rohrwacher 饰)是同性恋的事实。与此同时,家族的事业也在变迁,尽管爱德瓦多独力反对出售家族企业,却还是无法抵挡资本全球化大潮的冲击,并购势在必行。在探讨商务的晚宴上,一个意外打破了艾玛苦心枯守的表面平静,她的灵魂就要破茧而出……
The unexpected death of the family patriarch throws every member of the Ullmann clan off course. Widow Dafna takes to bed for three months and when she finally returns to her job at the maternity hospital, she has little time for her children. Eldest son, Yair drops out of school and adopts a fatalist attitude, shutting out his siblings and girlfriend. His twin sister Maya, a talented musician, feels the most guilt and is forced to act as a family caregiver at the expense of career opportunities. Bullied at school, younger son Ido responds by obsessively filming himself with a video camera and attempting dangerous feats. The baby sister, Bar, is woefully neglected. Preoccupied with their own misery, the family is barely a family anymore. When another tragedy strikes, will they be able to support one another? Written by Sujit R. Varma
美国的考古学家戴维·威勒斯(杰森·贝瑞 Jason Barry 饰)来到爱尔兰进行考察,他对沉在沼泽内的远古僵尸颇有研究。在当地博物馆女助理塞尔丝·瑞丽(诺拉简·努恩 Nora-Jane Noone 饰)的陪同下,他们驱车外出寻找研究点。然而,一场突如其来的车祸打断了戴维的计划,他和塞尔丝来到一座猎人的小木屋,在这里遇到木屋的主人(维尼·琼斯 Vinnie Jones 饰)以及其他几名因各种原因滞留于此的路人。 与此同时,几名施工者从地下挖出一具埋藏两千年的尸体,不久,尸体神奇复活。他四处行走,对待怀有恶意的家伙毫不手软。戴维和猎人他们不慎惹到这个大家伙,一连串残酷的杀戮就此展开……
Pablo’s life is ruled by drugs and by the intense and oppressive relationship he has with his mother, a former cocaine mule who escaped from Colombia and with whom he shares a small house in the outskirts of Rome. After her death, following her relapse into drug addiction caused by his emotional involvement with a young Colombian girl mixed up in the smuggling ring, Pablo’s guilt pushes him to try and bring her ashes back to Colombia. When the embassy denies his request on the basis of the fake identity and passport of his mother, the protagonist will be forced to tackle the journey by ingesting ovules containing ashes instead of drugs and he will find himself in his home country for the first time, desperately looking for redemption and his mother’s house on the Madgalena river.
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
在一架小型飞机坠毁后,四名土著儿童在哥伦比亚亚马逊丛林中失联、孤立无援。他们依靠祖先的智慧求生,而一场史无前例的救援任务也随之展开。 这部纪录片由奥斯卡奖得主奥兰多·冯·爱因西德尔执导,哥伦比亚导演豪尔赫·杜兰和英国裔秘鲁导演拉利·霍顿参与制作,从参与这场史诗级救援行动的人员 — 哥伦比亚军队、土著志愿救援人员和儿童的家人 — 的视角讲述了这个令人难以置信的故事。